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Birthright is the heart-stopping conclusion to T. K. Roxborogh's epic Banquo's Son series. Fleance, King of Scotland, has made a political marriage to Rachel, the sister of dead King Duncan. It may seem that happiness is not far around the corner with a royal baby expected, but things are far from peaceful in the realm. The young king and queen must dodge daggers in hallways and hold together a nation swept by a savage rebellion and a mysterious illness. And Fleance is still haunted by his first love, Rosie, now married to one of his most trusted friends. Can he keep the throne of Scotland when treachery is around every corner? A storm is brewing and soon the nation may experience the biggest battle in its history.
In this thrilling novel about a reluctant mobster, Anya tries to shatter the ties that bind--with deadly consequences. Because It Is My Blood is the second stunning novel in Gabrielle Zevin's Birthright series. "Every time I think I'm out, they pull me back in."- Michael Corleone, The Godfather Since her release from Liberty Children's Facility, Anya Balanchine is determined to follow the straight and narrow. Unfortunately, her criminal record is making it hard for her to do that. No high school wants her with a gun possession charge on her rap sheet. Plus, all the people in her life have moved on: Natty has skipped two grades at Holy Trinity, Scarlet and Gable seem closer than ever, and even Win is in a new relationship. But when old friends return demanding that certain debts be paid, Anya is thrown right back into the criminal world that she had been determined to escape. It's a journey that will take her across the ocean and straight into the heart of the birthplace of chocolate where her resolve--and her heart--will be tested as never before.
The vast majority of the global population acquires citizenship purely by accidental circumstances of birth. There is little doubt that securing membership status in a given state bequeaths to some a world filled with opportunity and condemns others to a life with little hope. Gaining privileges by such arbitrary criteria as one’s birthplace is discredited in virtually all fields of public life, yet birthright entitlements still dominate our laws when it comes to allotting membership in a state. In The Birthright Lottery, Ayelet Shachar argues that birthright citizenship in an affluent society can be thought of as a form of property inheritance: that is, a valuable entitlement transmitted by law to a restricted group of recipients under conditions that perpetuate the transfer of this prerogative to their heirs. She deploys this fresh perspective to establish that nations need to expand their membership boundaries beyond outdated notions of blood-and-soil in sculpting the body politic. Located at the intersection of law, economics, and political philosophy, The Birthright Lottery further advocates redistributional obligations on those benefiting from the inheritance of membership, with the aim of ameliorating its most glaring opportunity inequalities.
This text collates and examines the jurisprudence that currently exists in respect of blood-tied genetic connection, arguing that the right to identity often rests upon the ability to identify biological ancestors, which in turn requires an absence of adult-centric veto norms. It looks firstly to the nature and purpose of the blood-tie as a unique item of birthright heritage, whose socio-cultural value perhaps lies mainly in preventing, or perhaps engendering, a feared or revered sense of ‘otherness.’ It then traces the evolution of the various policies on ‘telling’ and accessing truth, tying these to the diverse body of psychological theories on the need for unbroken attachments and the harms of being origin deprived. The ‘law’ of the blood-tie comprises of several overlapping and sometimes conflicting strands: the international law provisions and UNCRC Country Reports on the child’s right to identity, recent Strasbourg case law, and domestic case law from a number of jurisdictions on issues such as legal parentage, vetoes on post-adoption contact, court-delegated decision-making, overturned placements and the best interests of the relinquished child. The text also suggests a means of preventing the discriminatory effects of denied ancestry, calling upon domestic jurists, legislators, policy-makers and parents to be mindful of the long-term effects of genetic ‘kinlessness’ upon origin deprived persons, especially where they have been tasked with protecting this vulnerable section of the population.
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review
One man pursues a question left unanswered for four thousand years. His search takes him to the gates of Hell--Will it bring him back? Three weeks before officially reporting for duty at the U.S. Embassy in Tel Aviv, Addison Deverell arrives in Israel determined to find an answer to a question buried for nearly four thousand years. Bound to an escort by the embassy, he is unable to begin his search as time is running out. Mere days before he must report for duty, Addison is freed from his forced escort, Hafiz IbnMansur as Elizabeth Daniels, takes his place. Addison issues an ultimatum to Elizabeth that he must go into Palestinian territory for answers he can't find in Israel. But, as Addison races to uncover a long buried truth that promises to establish a career, he faces peril from those he seeks to understand and finds himself a pawn in an international plot to drive Israel's Jews into the sea. Nearly seven thousand miles away in Oregon, Dr. Janelle Henning confronts a past that threatens to destroy the only family she's ever known. A search for understanding thrusts her into a foreign world long buried to confront a birthright hidden by the passage of time with no place--or no one--to turn to, Janelle tries to put the pieces of her life back together. An ill-boding call shreds the little of Janelle's world that is left, compelling her to leave her home and fly to Israel in search of Addison. But terrorists stand in Janelle's way of reaching him, the one person that might unlock hidden identities in a relationship that has spanned a lifetime. But will Addison live, or will death, the master of all, once again keep its secret buried?
"John Phillip Reid is widely known for his groundbreaking work in American legal history. A Law of Blood, first published in the early 1970s, led the way in an additional newly emerging academic field: American Indian history. As the field has flourished, this book has remained an authoritative text. Forging the research methods that fellow historians would soon adopt, Reid carefully examines the organization and rules of Cherokee clans and towns."--BOOK JACKET.
The language of Jamaican popular culture—its folklore, idioms, music, poetry, song—even when written is based on a tradition of sound, an orality that has often been denigrated as not worthy of serious study. In Noises in the Blood, Carolyn Cooper critically examines the dismissed discourse of Jamaica’s vibrant popular culture and reclaims these cultural forms, both oral and textual, from an undeserved neglect. Cooper’s exploration of Jamaican popular culture covers a wide range of topics, including Bob Marley’s lyrics, the performance poetry of Louise Bennett, Mikey Smith, and Jean Binta Breeze, Michael Thelwell’s novelization of The Harder They Come, the Sistren Theater Collective’s Lionheart Gal, and the vitality of the Jamaican DJ culture. Her analysis of this cultural "noise" conveys the powerful and evocative content of these writers and performers and emphasizes their contribution to an undervalued Caribbean identity. Making the connection between this orality, the feminized Jamaican "mother tongue," and the characterization of this culture as low or coarse or vulgar, she incorporates issues of gender into her postcolonial perspective. Cooper powerfully argues that these contemporary vernacular forms must be recognized as genuine expressions of Jamaican culture and as expressions of resistance to marginalization, racism, and sexism. With its focus on the continuum of oral/textual performance in Jamaican culture, Noises in the Blood, vividly and stylishly written, offers a distinctive approach to Caribbean cultural studies.
Raised by the brothers of the Sixth Order, Vaelin Al Sorna, a Warrior of the Faith, must battle the Empire and even his own father in the first book of a new fantasy trilogy.
Time is running out and I need answers, now. At the Trial of Ares, I found a lead that could save my life. An ancient tome believed to belong to the most infamous Druid in history. Notoriously secretive, the order of the Druids passes their secrets from parent to child, by word of mouth. This tome might be the only record of their rites and blood magic, ever written. It’s the best chance I have of curing my curse. Unfortunately, it’s in the possession of a notorious witch, Kasey Chase. She fancies herself the hero of New York City, so I doubt she’ll part with such a dangerous relic voluntarily. Particularly with an army of vampires stalking the city’s streets. Good thing I wasn’t planning on asking. Join Seth in Half-Blood’s Birthright, an action-packed urban fantasy adventure set in the heart of New York City.