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Pindar (c. 518-438 BCE), highly esteemed as lyric poet by the ancients, commemorates in complex verse the achievements of athletes and powerful rulers at the four great Panhellenic festivals, Olympic, Pythian, Nemean, and Isthmian games, against a backdrop of divine favor, human failure, heroic legend, and aristocratic Greek ethos. Of the Greek lyric poets, Pindar (ca. 518-438 BCE) was "by far the greatest for the magnificence of his inspiration" in Quintilian's view; Horace judged him "sure to win Apollo's laurels." The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar's poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar's other poems. Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths. Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His new Loeb Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.
A study of three epinicia of Pindar, which have in common that they celebrate victories of Aeginetan athletes and that they respond to the contemporary political situation in Aegina and to circumstances of the victory. The primary objective of this book is to provide an interpretation of each of the three odes as meaningful, coherent works of the literary art. For each ode, it provides a commentary in which problems of text and interpretation are discussed in detail, a structural and metrical analysis, and an interpretative essay, in which the observations of detail are brought together in order to provide an answer to the question as to how the ode at hand could have functioned as a coherent, meaningful epinicion. The introduction addresses questions of method and provides a description of Pindar's style.
The Greek lyric poet Pindar is renowned for his poems celebrating the victories of athletes in the great games of Greece at Olympia, Delphi (the Pythian Games), Corinth (the Isthmian Games) and Nemea. Pindar's victory odes have the reputation of being complex and allusive in their language and reference. In this much-needed commentary on seven of the extant odes, Professor Willcock aims to open up Pindar's poetry to a wider readership by starting with a short and straightforward poem and progressing by level of difficulty to one of the greatest. The book begins with an introduction which includes sections on Pindar's life and on his thought, language and style, but which pays particular attention to the genre of the victory ode and its conventions.
Containing 250 entries, each volume of theDictionary of World Biographycontains examines the lives of the individuals who shaped their times and left their mark on world history. Much more than a 'Who's Who', each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements, and conclude with a fully annotated bibliography. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. Any student in the field will want to have one of these as a handy reference companion.
Drawing on an extensive knowledge of the critical history of Olympian One, Professor Gerber here presents a thorough analysis of the language thought, myth, structure, and poetic technique of Pindar's most famous ode. He deals with virtually every word in the poem, elucidating disputed passages, defining Pindar's use of imagery and myth and his structural techniques, and revealing the significance of his statements about the gods, the victor, and his own poetic practice. In doing so he makes a major contribution to Pindaric studies, aiding an understanding of this ode in particular, and of the poet's other works in general.
Pindar-the 'Theban eagle', as Thomas Gray famously called him-has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich Hölderlin (1770–1843), arguably Pindar's greatest modern reader, he develops the case for an aesthetic appreciation of Pindar's odes as literature. Building on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindar's odes as text. This change of emphasis yields a fresh discussion of many facets of Pindar's astonishing art, including the relation of the poems to their occasions, performativity, the poet's persona, his imagery, and his myths. Consideration of Pindar's views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.
This work provides new editions with introduction and commentary of five odes from Pindar's Nemeans. Three celebrate victories won by Aeginetans at the Nemean games (Nemeans 4, 6, and 8). The remaining two are drawn from the appendix to the book: Nemean 10, for the Argive wrestler Theaeus and his family, including the famous myth of the Dioscuri, and Nemean 11, for the installation of a prytanis on the island of Tenedos. The commentaries elucidate problems of metre, text, and interpretation, and provide up-to-date treatment of the language and subject-matter of the poems.
Text and translation of all Pindar's paeans, sacred hymns to Apollo, with a supplement containing fragments from poems of uncertain genre. The lengthy introduction provides a re-evaluation of the poems and examines their place in the song-dance culture of Classical and Hellenistic Greece.