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Study of the historical origins of a migrant worker working class in France - discusses immigration trends (1880-1939), occupational structure, geographic distribution, labour shortages in the 1920s, migration policy objectives, impact of capitalist industrialization, obstacles to social integration and social mobility, conflicting interests between the ruling class, employers and indigenous workers, etc.; argues that immigration enabled industrial enterprises to expand rapidly with adequate labour supply at low wages. Bibliography.
What Is the Third Estate? was the most influential pamphlet of 1789. It did much to set the French Revolution on a radically democratic course. It also launched its author, the Abbé Sieyes, on a remarkable political career that spanned the entire revolutionary decade. Sieyes both opened the revolution by authoring the National Assembly's declaration of sovereignty in June of 1789 and closed it in 1799 by engineering Napoleon Bonaparte's coup d'état. This book studies the powerful rhetoric of the great pamphlet and the brilliant but enigmatic thought of its author. William H. Sewell's insightful analysis reveals the fundamental role played by the new discourse of political economy in Sieyes's thought and uncovers the strategies by which this gifted rhetorician gained the assent of his intended readers--educated and prosperous bourgeois who felt excluded by the nobility in the hierarchical social order of the old regime. He also probes the contradictions and incoherencies of the pamphlet's highly polished text to reveal fissures that reach to the core of Sieyes's thought--and to the core of the revolutionary project itself. Combining techniques of intellectual history and literary analysis with a deep understanding of French social and political history, Sewell not only fashions an illuminating portrait of a crucial political document, but outlines a fresh perspective on the history of revolutionary political culture.
This book is based on careful historical analysis and personal observation. Dr. Lorwin has broken his material down under three main headings: first, an abbreviated history of the origins and development of French unionism through 1944; second, a close examination of the critical years 1944-53, which saw the reunification in the Confédération Générale du Travail of the Communists purged in 1940, and the subsequent bolt of the anti-Communists to form the Confédération Générale du Travail-Force Ouvrière; and, third, an analysis of the international life of French unions, their bargaining techniques, their structure, and their goals. While the discussion in the first two parts of the book is significant, the major contribution to knowledge is in the third section. An extremely valuable analysis for those who are concerned with the nature of French unionism, students of political behavior, and particularly to those who are engaged in discriminating between institutional myths and institutional realities.
The central theme of this book is the changing experience of childhood in nineteenth-century France.
In France's Third Republic, secularism was, for its adherents, a new faith, a civic religion founded on a rabid belief in progress and the Enlightenment conviction that men (and women) could remake their world. And yet with all of its pragmatic smoothing over of the supernatural edges of Catholicism, the Third Republic engendered its own fantastical ways of seeing by embracing observation, corporeal dynamism, and imaginative introspection. How these republican ideals and the new national education system of the 1870s and 80s - the structure meant to impart these ideals - shaped belle époque popular culture is the focus of this book. The author reassesses the meaning of secularization and offers a cultural history of this period by way of an interrogation of several fraught episodes which, although seemingly disconnected, shared an attachment to the potent moral and aesthetic directives of French republicanism: a village's battle to secularize its schools, a scandalous novel, a vaudeville hit featuring a nude celebrity, and a craze for female boxing. Beginning with the writer and performer Colette (1873-1954) as a point of entry, this re-evaluation of belle époque popular culture probes the startling connections between republican values of labor and physical health on the one hand, and the cultural innovations of the decades preceding World War I on the other.
The numerous selections in this volume give, for the first time, a true idea of the range of Swift's writing over half a century. Besides many familiar works, the editors have included correspondence, political pamphlets, poetry, a sermon, and pieces for the popular press.
IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.