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Excerpt from A Bibliography of Early Secular American Music I regret that circumstances prevented me from visiting the Newberry Library, Chicago. I also wish to state that since this preface was first written I have added no titles except those which came under my personal supervision at the Library of Congress. While, therefore, my sins of omission may have become more numerous during the last three years, I hope that the book does not really show the wrinkles of age. I also had access to the famous library of Governor Samuel W. Pennypacker of Philadelphia, to the exceedingly interesting archives of the Hopkinson family in Philadelphia and to the manu scripts of Francis Hopkinson in possession of his descendant, Mrs. Florence Scovel Shinn of New York City. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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A Bibliography of Early Secular American Music is a comprehensive collection of early American sheet music. Compiled by Oscar George Theodore Sonneck, this book provides an in-depth look at the development of music in America, making it an essential reference for music scholars, historians, and enthusiasts alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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