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We live in an age of unprecedented environmental change: global, interconnected and universal. Yet though our lives are inextricably connected to global processes, and increasingly mobile, we still live in particular places. Our perceptions of change, and what kind of change might be for good or ill, are shaped by the interaction of localised experience and the wider forces of transformation. Local Places, Global Processes examines how these relationships have been shaped in Britain over time in three ways. First, through essays addressing influential ways of understanding and debating questions of ‘the state of nature’. These are complemented by case studies on conservation, landscape change and management, and how perceptions of environmental change have emerged or been discarded over time. Chapters also draw on a series of site-based workshops that brought together historians, landscape managers and artists to discuss and reflect on particular sites: Wicken Fen in Cambridgeshire, owned by the National Trust and the first British nature reserve; the Quantock Hills Area of Outstanding Natural Beauty in Somerset, England’s first AONB and a landscape enriched by Romantic association; and the landscape of Kielder Water and Forest, a land of superlatives in Northumberland in north-eastern England – the largest planted forest and artificial lake in northern Europe. The multi-disciplinary approach draws together the exchanges, artworks and writing assembled at these workshops and afterwards. This opens up how being in a place, and engaging with ideas attached to it, shape perceptions of the environment. It provides resources with which landscape managers can think about their tasks and engage various publics in discussion about future environments in light of these histories of place. Rather than a history of these three places, this is history written from them.
This book describes the life and achievements of the eighteenth-century Scottish physician William Hunter and outlines the history of the Museum named after him. William Hunter built up a wide-ranging private collection at his home in London, encompassing not only anatomical and pathological specimens related to his medical work, but also books and manuscripts, coins and medals, natural history specimens and artworks. On his death in 1783 he bequeathed the collection to the University of Glasgow where he had long ago been a student, and money to construct a Museum which opened in 1807. The book utilises a wide range of source material, much of it previously unpublished, to tell the story of the Museum's development, the many subsequent additions to its holdings and, more recently, the construction of a new Hunterian Art Gallery which houses not only Hunter's own collection but also numerous works be James McNeill Whistler and Charles Rennie Mackintosh. The Museum is celebrating its bicentenary in 2007.There is a foreward contributed by Sir Kenneth Calman, Chancellor of the University of Glasgow, and formerly Government Chief Medical Officer and Vice-Chancellor of the University of Durham