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"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
"Goetzfridt’s work demonstrates the dynamics of history, each generation considering past events in light of current realities and contemporary understandings of the world. This volume, therefore, is important not simply because it provides us with an invaluable and substantial fount of references that will be supremely useful to teachers, scholars, and all enthusiasts of Mariana Islands history. Its importance lies also in its packaging as a resource for current and future generations to understand the changing face and contested space of Guam history." —from the Foreword by Anne Perez Hattori Blending bibliographic integrity with absorbing essays on a wide range of historical interpretations, Nicholas Goetzfridt offers a new approach to the history of Guam. Here is a treasure trove of ideas, historiographies, and opportunities that allows readers to reassess previously held notions and conclusions about Guam’s past and the heritage of the indigenous Chamorro people. Particular attention is given to Chamorro perspectives and the impact of more than four hundred years of colonial presences on Micronesia’s largest island. Extensive cross-references and generous but targeted samples of historical narratives compliment the bibliographic essays. Detailed Name and Subject Indexes to the book’s 326 entries cover accounts and interpretations of the island from Ferdinand Magellan’s "discovery" of Guahan ("Guam" in the Chamorro language) in 1521 to recent events, including the Japanese occupation and the American liberation of Guam in 1944. The indexes enable easy and extensive access to a bounty of information. The Place Index contains both large and localized geographic realms that are placed vividly in the context of these histories. An insightful Foreword by Chamorro scholar Anne Perez Hattori is included.
Hugh Amory (1930-2001) was at once the most rigorous and the most methodologically sophisticated historian of the book in early America. Gathered here are his essays, articles, and lectures on the subject, two of them printed for the first time. An introduction by David D. Hall sets this work in context and indicates its significance; Hall has also provided headnotes for each of the essays. Amory used his training as a bibliographer to reexamine every major question about printing, bookmaking, and reading in early New England. Who owned Bibles, and in what formats? Did the colonial book trade consist of books imported from Europe or of local production? Can we go behind the iconic status of the Bay Psalm Book to recover its actual history? Was Michael Wigglesworth's Day of Doom really a bestseller? And why did an Indian gravesite contain a scrap of Psalm 98 in a medicine bundle buried with a young Pequot girl? In answering these and other questions, Amory writes broadly about the social and economic history of printing, bookselling and book ownership. At the heart of his work is a determination to connect the materialities of printed books with the workings of the book trades and, in turn, with how printed books were put to use. This is a collection of great methodological importance for anyone interested in literature and history who wants to make those same connections.
"A material culture study focused on the importance of books as objects and their histories from the Middle Ages to present. Looks beyond content and text of books, to other properties such as printing, binding, annotation, etc. Over 140 full-color illustrations, bibliography for further reading, and index"--Provided by publisher.
Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--Pub. desc.
James Raven, a leading historian of the book, offers a fresh and accessible guide to the global study of the production, dissemination and reception of written and printed texts across all societies and in all ages. Students, teachers, researchers and general readers will benefit from the book's investigation of the subject's origins, scope and future direction. Based on original research and a wide range of sources, What is the History of the Book? shows how book history crosses disciplinary boundaries and intersects with literary, historical, media, library, conservation and communications studies. Raven uses examples from around the world to explore different traditions in bibliography, palaeography and manuscript studies. He analyses book history's growing global ambition and demonstrates how the study of reading practices opens up new horizons in social history and the history of knowledge. He shows how book history is contributing to debates about intellectual and popular culture, colonialism and the communication of ideas. The first global, accessible introduction to the field of book history from ancient to modern times, What is the History of the Book? is essential reading for all those interested in one of society's most important cultural artefacts.
"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920
Bibliographic: 100 Classic Graphic Design Books is a compilation of the best design books of the last 100 years. It covers a huge range of materialhistoric titles from pioneering type foundries to the best of recent monographs from today's leading studiosand provides a unique insight into the evolution of graphic design in thetwentieth century.
As millions of people have been exposed to computing through the tremendous growth of microcomputers, there has developed an increasing appreciation of the history of data processing, which dates back many decades before the arrival of the computer. Stretching back to at least the 1860s, such early technologies as adding machines, punch cards, and the office appliance industry are now being recognized for their place in the history of the information processing industry. This work brings together a comprehensive list of sources that offer a general introduction to the literature of the industry. Divided into nine chapters covering topics and historical periods, the bibliography provides an annotated list of published materials describing both the history of the industry and significant items of general interest. Each chapter is introduced with a short review of historically important issues and comments on the literature, and contains contemporary publications as well as more recent material. To give the work a continuing usefulness, ongoing publications, such as computer magazines, are highlighted. Entries are grouped under nearly 100 subheadings, covering such material as contemporary descriptions of hardware and software of the past, seminal technical papers, industry surveys, programming languages, significant individuals and companies, and the role of Japan and microcomputing. All citations are annotated with a brief summary of either the work's contents or its historical importance, while two indexes provide both subject references and author citations. This bibliography will be an important reference source for courses in the history of data processing and business history, and a useful addition to public, college, and university libraries.