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Exhibition Catalog:Heather Dewey-Hagborg & Chelsea ManningA Becoming ResemblanceCurated by Roddy SchrockAugust 2 - September 5, 2017Fridman Gallery
In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.
First published in 1952, An Analysis of Resemblance has two-fold aims. The opening chapters seek to present what it is not about. It is not concerned with any sense of resemblance in which that term is used by thinkers generally and widely called Hegelian Idealists. The several subsequent chapters of the work advance an analysis of four senses of resemblance. Two of these four senses would seem to be radical – in the etymological sense of the term. The other two senses are derivative. The concluding chapter advances some considerations as to the bearing of an analysis of resemblance on the matters of universals and taxonomy. Professor Church’s clearly stated ideas will arouse much discussion among students of philosophy. This book helps to round off his studies in this field and is a worthy successor to his earlier works.
Resemblance and Reality in Greek Thought follows the construction of reality from Homer into the Hellenistic era and beyond. Not only in didactic poetry or philosophical works but in practically all genres from the time of Homer onwards, Greek literature has shown an awareness of the relationship between verbal art and the social, historical, or cultural reality that produces it, an awareness that this relationship is an approximate one at best and a distorting one at worst. This central theme of resemblance and its relationship to reality draws together essays on a range of Greek authors, and shows how they are unified or allied in posing similar questions to classical literature.
In the spirit of Motherless Brooklyn or Remains of the Day, Allardice offers up a searing and memorable debut. When Paul McWeeney's older sister writes a book accusing their late father of committing the gruesome Black Dahlia murder, based on memories her new therapist has helped her recover, or imagine, he sits down to write a cease and desist letter to the publishers. Paul hopes to refute his sister's claims about their father's role in the infamous 1947 murder, arguing for his own divergent memory of their Hollywood childhood by way of defending their father's name and legacy. But the letter begins to take on a life of its own, and Paul, a failed novelist and community college writing instructor, soon finds himself on an obsessive, elliptical exploration of both his family's history and his own conflicted memory, which begins to absorb his daily life and threaten his relationships with those, closest to him. The letter becomes not the intended refutation but rather a disturbing and wildly comical psychological self–portrait of man caught between increasingly unstable versions of the past.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Examining Adorno's thesis that sacrifice is the primordial form of human domination, this work contains essays that cover Adorno's New York City writings on radio; his affinities with Wallace Stevens and Nabokov; his relationship with Kierkegaard, psychoanalysis, and Walter Benjamin; and his musings on popular music.
The Atlas of Reality: A Comprehensive Guide to Metaphysics presents an extensive examination of the key topics, concepts, and guiding principles of metaphysics. Represents the most comprehensive guide to metaphysics available today Offers authoritative coverage of the full range of topics that comprise the field of metaphysics in an accessible manner while considering competing views Explores key concepts such as space, time, powers, universals, and composition with clarity and depth Articulates coherent packages of metaphysical theses that include neo-Aristotelian, Quinean, Armstrongian, and neo-Humean Carefully tracks the use of common assumptions and methodological principles in metaphysics
List of quarto publications, exclusive of the Annals , made by the officers of the observatory from 1877 to 1896, with references to the work of the Blue Hill observatory from 1885 to 1895: v. 30, p. 3-8.