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Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Ernst Moritz Arndt University of Greifswald, course: American Poetry, language: English, abstract: Poets are artists and therefore very creative people. But their artistic faculty does not - in most cases - conjure out of nothing. Poets are influenced by many different things. Almost all lyricists name some other members of their art who directly or indirectly made an impact on their very own work - who they used as a kind of an idol or who even aroused their interest in poetry. Robert Hayden is no exception. He admits to be influenced by poets such as Keats , Byron, Carl Sandburg, Countee Cullen and more. Naturally poets are also influenced by their surroundings, namely nature, landscape, history and of course by people, especially by friends and family members. For Hayden, and probably almost all other poets, poems serve as a means of coming to terms with particular situations. Robert Hayden’s upraising was not exactly typical; his parents separated soon after his birth and he was brought up by poor foster-parents. He states that the “greatest discouragement” were the circumstances he lived in: His family neither had money nor education; at the age of forty he had to find out that his foster-parents had never formally adopted him and the worst thing were the “conflicts, the quarrelling, the tensions that kept us most of the time on the edge of some shrill domestic calamity.” (Both McCluskey 138) This term paper aims at illustrating how Robert Hayden – in his poems - coped with his family background and his position between the people who loved him and who struggled about being loved most in turn. To fully understand the emotions of Robert Hayden and his attitude towards his foster-parents and his mother I will – in the first chapter - provide a depiction of his youth and his relationship between him and his natural parents and foster parents. I chose to concentrate on three poems; two from the collection A Ballad of Remembrance because they emerged at a point in Hayden’s life where he felt he needed to recall to his past and besides these poems illustrate a portrayal of his foster parents. In the second chapter I will present a description of his foster mother and father on the basis of information taken from these two poems. The third chapter will, on the basis of the third poem ‘Names’, illustrate Robert Hayden’s identical crisis which emerged from his discovery that he had not been adopted legally. Finally I will evaluate the information gained from chapters one to three and present a summary of how Robert Hayden coped with his greatest discouragement.
Book of My Nights is the first poetry collection in ten years by one of the world's most acclaimed young poets. In Book of My Nights, Li-Young Lee once again gives us lyrical poetry that fuses memory, family, culture and history. In language as simple and powerful as the human muscle, these poems work individually and as a full-sequence meditation on the vulnerability of humanity. Marketing Plans: o National advertising o National media campaign o National and regional author appearances o Advance reader copies o Course adoption mailing Li-Young Lee burst onto the American literary scene with the publication of Rose, winner of the 1986 Delmore Schwartz Memorial Poetry Award from The Poetry Society of America. He followed that astonishing book with The City in Which I Love You, which was The Lamont Poetry Selection of The Academy of American Poets. Mr. Lee has appeared on National Public Radio a number of times and The Power of the Word, the PBS television series with Bill Moyers. Rose and The City in Which I Love You are in the 19th and 17th printings respectively, making them two of the highest-selling contemporary poetry books in the United States. Moreover, Mr. Lee's poems have been translated into more than a dozen languages. He currently lives in Chicago.
Originally published in 1898, “The Ballad of Reading Gaol” is a poem written by Oscar Wilde. Composed after his release from the titular prison whilst he was in exile in Berneval-le-Grand, the poem deals with the hanging at Reading Goal of Charles Thomas Wooldridge, a 30-year-old man who was imprisoned for cutting his wife's throat. Within the poem, Wilde narrates the execution in full and explores the brutal nature of the punishment that all inmates must endure. Oscar Fingal O'Flahertie Wills Wilde (1854–1900) was an Irish poet and playwright who became one of the most popular in London during the 1880s and 1890s. Well-known for his sharp wit and extravagant attire, Wilde was a proponent of aestheticism and wrote in a variety of forms including poetry, fiction, and drama. He was famously imprisoned for homosexual acts from 1895 to 1897 and died at the age of 46, just three years after his release. Other notable works by this author include: “Picture of Dorian Gray” (1890), “Salome” (1891), and “The Importance of Being Earnest” (1895). Ragged Hand is proudly republishing this classic poem now complete with a specially-commissioned new biography of the author.
"A collection of essays on poetry and the experiences that influenced poet Robert Hayden. Contents include "The History of Punchinello: A Baroque Play in One Act," Hayden's introductory remarks to volumes like Kaleidoscope: Poems by American Negro Poet and The New Negro, and interviews with Hayden."
One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”
Vital perspectives from leading critics and scholars on one of the most distinguished African American poets of the twentieth century
A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.
An exquisite body of work celebrating the centennial of one of the most important African-American poets of the twentieth century. Robert Hayden was one of the most important American poets of the twentieth century. He left behind an exquisite body of work, collected in this definitive edition, including A Ballad of Remembrance, Words in the Mourning Time, The Night-Blooming Cereus, Angle of Ascent, and American Journal, which was nominated for a National Book Award. Also included is an introduction by American poet Reginald Dwayne Betts, as well as an afterword by Arnold Rampersad that provides a critical and historical context. In Hayden’s work the actualities of history and culture became the launching places for flights of imagination and intelligence. His voice—characterized by musical diction and an exquisite feeling for the formality of pattern—is a seminal one in American life and literature.