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Fables are short tales with a moral, often featuring animal characters. Aesop's fables from Ancient Greece are the best-known, and Jean de la Fontaine elegantly reworked their themes to the taste of 17th century France. Oral storytellers have kept the fable alive all over the world.Aesops' fables include: Sour Grapes, The Lion's Share, The Town Mouse and the Country Mouse, The Boy Who Cried Wolf, King Log, The Dog in the Manger and The Wind and the Sun.The fables of La Fontaine include: The Cicada and the Ant, The Frog Who Wanted to be as Big as the Ox, The Fox and the Stork, The Lion and the Goat and The Rat and the Elephant.This enchanting collection of best-loved fables is illustrated with work by many of the great names of the golden age of illustration, including Walter Crane, Charles H. Bennett, Charles Robinson, Richard Heighway, Frederick Burr Opper, J M Conde and others.
"March has picked up where Aesop and Don Marquis left off, prick- ing vanities and exposing antics of chronic phonies. ... Here are damning truths about the Noblest Animal, here is vitriol without venom. richard Brough catches the full flavor in his illustrations."--New York Times Book Review.
The pages of this book are full of insightful little stories that reveal the simple truth about life. Asking questions that we usually do not stop to ask ourselves, and often coming up with answers that are surprising in their simplicity. Every story sparkles with insights on the human condition, and remain etched in the mind of the for a long time.
The stories narrate the tricks, deceit and greed of hyena in all his relationships. These traits come out strongly in the tales entitled: 'the cow, hyena, lion and hare share a home', 'hyena and hare go in search of food' and 'the hyena and the hare'. Hare, however, shows his ingenuity to always outsmart hyena. Cat's pilgrimage to Mecca and his self righteous attitude on his return was challenged by the eldest member of the clan of rats. He was reminded of his old ways before his transformation. Gambian folk tales carry moral lessons and even though they are not all spelt out in this collection, they are evident.
From acclaimed bestselling author Laura Anne Gilman comes a unique and enthralling new story of fantasy and adventure, wine and magic, danger and hope.... Once, all power in the Vin Lands was held by the prince-mages, who alone could craft spellwines, and selfishly used them to increase their own wealth and influence. But their abuse of power caused a demigod to break the Vine, shattering the power of the mages. Now, fourteen centuries later, it is the humble Vinearts who hold the secret of crafting spells from wines, the source of magic, and they are prohibited from holding power. But now rumors come of a new darkness rising in the vineyards. Strange, terrifying creatures, sudden plagues, and mysterious disappearances threaten the land. Only one Vineart senses the danger, and he has only one weapon to use against it: a young slave. His name is Jerzy, and his origins are unknown, even to him. Yet his uncanny sense of the Vinearts' craft offers a hint of greater magics within -- magics that his Master, the Vineart Malech, must cultivate and grow. But time is running out. If Malech cannot teach his new apprentice the secrets of the spellwines, and if Jerzy cannot master his own untapped powers, the Vin Lands shall surely be destroyed. In Flesh and Fire, first in a spellbinding new trilogy, Laura Anne Gilman conjures a story as powerful as magic itself, as intoxicating as the finest of wines, and as timeless as the greatest legends ever told.
This is the authors third book, the first being a memoir of sorts and the second was in the genre of erotic fiction. It is a collection of thirteen short stories, all based on or inspired by the fables of Aesop. Although it would be impossible to either add to or detract from Aesops, the fables were starting points for stories mostly based in the mythical town of Rustbelt City. Apparently, as much wisdom is required for life in the American Midwest as in ancient Greece. And, just as in our own lives, there is a moral hidden somewhere in each of the stories. Unlike in the compilers of Aesops stories where the morals are handily given to us, well have to ferret out the meaning for ourselves. Instead of anthills and agoras, the scenes shift from pagan Greece to pool halls and Fitzpatricks tavern. Not so cleverly disguised are locales once dear to my heart in a grimy, industrial city that now exists only in my imagination.