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Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
Based on a thorough examination of buildings, inscriptions, archival documents and hagiographies, this book uncovers the political significance of Bektashi shrines in the Ottoman imperial age. It thus provides a fresh and comprehensive account of the formative process of the Bektashi order, which started out as a network of social groups that took issue with Ottoman imperial policies in the late fifteenth century, was endorsed imperially as part of Bayezid II's (r. 1481-1512) soft power policy, and was kept in check by imperial authorities as the Ottoman approach to the Safavid conflict hardened during the rest of the sixteenth century. This book demonstrates that it was a combination of two collective activities that established the primary parameters of Bektashi culture from the late fifteenth century onwards. One was the writing of Bektashi hagiographies; they linked hitherto distinct social groups (such as wandering dervishes and warriors) with each other through the lives of historical figures who were their patron saints, idols and identity markers (such as the saint Hacı Bektaş and the martyr Seyyid Gazi), while incorporating them into Ottoman history in creative ways. The other one was the architectural remodelling of the saints' shrines. In terms of style, imagery and content, this interrelated literary and architectural output reveals a complicated process of negotiation with the imperial order and its cultural paradigms. Examined in more detail in the book are the shrines of Seyyid Gazi and Hacı Bektaş and associated legends and hagiographies. Though established as independent institutions in medieval Anatolia, they were joined in the emerging Bektashi network under the Ottomans, became its principal centres and underwent radical architectural transformation, mainly under the patronage of raider commanders based in the Balkans. In the process, they thus came to occupy an intermediary socio-political zone between the Ottoman empire and its contestants in the sixteenth century.
The 1720 Imperial Circumcision Celebrations in Istanbul offers the first holistic examination of an Ottoman public festival through an in-depth inquiry into different components of the 1720 event. Through a critical and combined analysis of the hitherto unknown archival sources along with the textual and pictorial narratives on the topic, the book vividly illustrates the festival’s organizational details and preparations, its complex rites (related to consumption, exchange, competition), and its representation in court-commissioned illustrated festival books (sūrnāmes). To analyze all these phases in a holistic manner, the book employs an interdisciplinary approach by using the methodological tools of history, art history, and performance studies and thus, provides a new methodological and conceptual framework for the study of Ottoman celebrations.
"Including Selections from Sayyed Ahmad 'Alawi's Sharoh Kitaab al-Qabasaat."
Conquête ottomane de l’Égypte (1517) est le premier ouvrage collectif consacré à la victoire de Selīm Ier sur les Mamelouks, qui a fait du sultanat ottoman l’unique puissance musulmane en Méditerranée orientale, et ravalé l’Égypte au rang de province. Il en renouvelle l’approche en faisant appel à des sources ottomanes, arabes et occidentales très variées. Les contributions réunies par Benjamin Lellouch et Nicolas Michel s’attachent à mesurer les transformations structurelles qu’a induites l’événement dans la société, les pouvoirs, la culture littéraire, artistique et matérielle en Égypte. Elles explorent ses antécédents et son impact géopolitique, et restituent les échos, bruyants puis assourdis, qu’il a suscités, au Proche-Orient, en Italie, et plus généralement en Méditerranée. Conquête ottomane de l’Égypte (1517) is the first collective work that deals with Selīm Ist’s crushing victory over the Mamluks, which made the Ottoman sultanate into the sole remaining Muslim power in the eastern Mediterranean, and reduced Egypt to the rank of a province. The book offers new insights into this major event by using a wide range of Ottoman and Arabic as well as Western sources. These essays in French and English collected by Benjamin Lellouch and Nicolas Michel examine to what extent the Ottoman conquest altered the structures of Egyptian society, power relations, literature, arts and material culture. They explore both its backgrounds and geopolitical aftermath, and reconstruct its echoes - loud at first, then gradually fading out - in the Middle East, Italy, and the Mediterranean.
Well-considered answers to the many questions raised by the situation in Iraq, past and present, are rare. This first comprehensive, thematically organised, bibliography devoted to Iraq is based on the full Index Islamicus database and is drawn from a wide variety of European-language journals and books. Featuring an extensive introduction to the subject and its literature by Peter Sluglett, this bibliography will help readers to find their way through the massive secondary literature now available. Following the pattern established by the Index Islamicus, both journal articles and book publications are included, as well as important internet resources. The editors have taken care to add much new material to bring its coverage up to date, and supplement the previously published volumes, while the most important and/or influential publications are conveniently highlighted in the introduction. An indispensable gateway for all those with a more than superficial interest in what is, and what has been, happening in this nation so much the focus of attention today.
Featuring eight innovative studies by prominent scholars of medieval art and architecture, this special issue of Medieval Encounters examines the specific means by which art and architectural forms, techniques, and ideas were transmitted throughout the medieval world (ca. 1000-1500). While focusing on the Mediterranean region, the collection also includes essays that expand this geographic zone into a cultural and artistic one by demonstrating contact with near and distant neighbors, thereby allowing an expanded understanding of the interconnectedness of the medieval world. The studies are united by a focus on the specific mechanisms that enabled artistic and architectural interaction, as well as the individuals who facilitated these transmissions. Authors also consider the effects and collaboration of portable and monumental arts in the creation of intercultural artistic traditions. Contributors are: Justine Andrews, Maria Georgopoulou, Ludovico Geymonat, Heather E. Grossman, Eva Hoffman, Melanie Michailidis, Renata Holod, Scott Redford and Alicia Walker.