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This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.
The mistake of interpreting 18th-century theatrical portraits too literally has been made since the 19th-century when a different set of artistic codes prevailed. The image of the 18th-century actor which we can obtain from prints, paintings and pamphlets of the time, is not a collection of visual truths, but a construction based on critical canons, aesthetic prejudices, and commercial motivations prevalent during the period. Through an analysis of the importance of theatre among all the pleasures and pastimes enjoyed by 18th-century Londoners the author presents a detailed picture of the cultural climate inhabited by the actor and his audience. The overwhelming fascination they had with the actor provides the background to an analysis of the function of the theatrical portrait, the burgeoning economy of the engraver, and the illustrator. Concepts of classicism and realism are explored in terms of how Garrick and Kemble will have been viewed in their work. The author also draws an interesting analogy between the aesthetics of action and sculptural representation through the work of Siddons, and goes on to consider the representation of the comic actor and how it was informed by art and art theory.
This title was first published in 2000: In their stunning simplicity, George Romney's portraits of eighteenth-century gentry and their children are among the most widely recognised creations of his age. A rival to Reynolds and Gainsborough, Romney was born in 1734 on the edge of the Lake District, the landscape of which never ceased to influence his eye for composition and colour. He moved in 1762 to London where there was an insatiable market for portraits of the landed gentry to fill the elegant picture galleries of their country houses. Romney's sitters included William Beckford and Emma Hart, later Lady Hamilton. An influential figure, one of the founding fathers of neo-classicism and a harbinger of romanticism, Romney yearned to develop his talents as a history painter. Countless drawings bear witness to ambitious projects on elemental themes which were rarely executed on canvas. Richly illustrated, this is the first biography of Romney to explore the full diversity of his oeuvre.