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It's the 80's just before the advent of AIDS, and we are behind the scenes at the entrancing Mitchell Brothers' O'Farrell Theater, which gonzo journalist Hunter S. Thompson has declared to be "the Carnegie Hall of public sex in America." The theater and its steamy live shows are a countercultural venue for celebrities in entertainment and sports, and for San Francisco politicians and journalists. They are drawn by the beautiful strippers and the backroom hospitality of their outrageous porn king hosts, Artie and Jim Mitchell–who directed the groundbreaking porn film, Behind the Green Door, starring Marilyn Chambers. Simone Corday, who danced at the O'Farrell and was a girlfriend of the late Artie Mitchell for nearly a decade, shares her unique story and her insights. She is the only woman insider to write about this insular but captivating world during this period, when she was close to the impulsive Mitchells, and a friend of the O'Farrell's honorary Night Manager, Hunter Thompson. Corday's unusual background of having an MA in English, along with her honesty, irreverent sense of humor, and keen focus as an observer, make this a delicious expose. Corday gives vivid accounts of three Mitchell Brothers' films she took part in. They include the disastrous Behind the Green Door, the Sequel, a grandiose safe-sex epic with characters from Greek mythology, and their documentary on Hunter Thompson, titled The Crazy Never Die. She shares memories of her unconventional, passionate relationship with "Party Artie" Mitchell. His affectionate personal and domestic side, along with his love for his children, are remembered fondly. His taste for cocaine and advancing alcoholism–that led him to disappear on binges with a succession of young dancers–is also recaptured, as well as his volatile temper, his impish sense of fun, and his charismatic, macho persona. Corday sheds light on Jim Mitchell's motives for shooting Art to death, and on the murder trial that follows. She reflects on her experience in the sex industry, and on her relationship with a notorious club owner. From the fun she had performing in the O'Farrell's spotlight as the theater's nemesis, then-San Francisco Mayor Dianne Feinstein, to her heartbreak visiting Artie's grave a few short years later, this is a sensational ride.
Alice takes you to the nighttime world of a burlesque theater, haunted by a banshee and alluring stripper ghosts, the scene of an exotic dancer's tragic death. Plucky stripper Alice leads an uprising of her coworkers. They travel with their ghost girlfriends to Frank Sinatra's haunted casino filled with Rat Pack era ghosts such as film siren Marilyn Monroe and Frank himself. The audacious strippers are after Mafia money hidden by the badass lover of a beautiful ghost stripper to fund their own new club. Follow Alice to a secret gated ghost community on Telegraph Hill, to haunted San Francisco and Lake Tahoe where phantoms from past centuries interact. Alice In Ultraland takes you into the strip club dressing room where dancers gossip, plot and share their obsessions to a chain of supernatural events and a surprising outcome. Will Alice and her friends prevail over their adversaries? Will Alice fulfill her fondest dreams? By turns irreverent, funny, touching and haunting, Alice In Ultraland is a ghost story like no other.
This account tells of the Mitchell brothers' rise and fall in the world of pornography--a sordid story of sex, scandal and murder. The first in Pinnacle Books' In Cold Blood true-crime classic reissue promotion. photos.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
Behind the Open Door, The Book of Light, is the first work in a five part series, unveiling the life of eight year old Cassie Murphy, a highly gifted and telepathic child and her invisible dog-friend Patrik. Cassie has unique abilities which uncover the secret past of their home in Maine and its connections to the elemental kingdom, the vibrational forces of nature, and the Angelic realm. Cassie’s talents and behaviors are not well understood, and the story revolves around the two worlds she lives in: her experiences within the dynamics of her family, school and social spheres; and her adventures with Patrik through portals to multiple dimensions. The Book of Light is a magical and delightful story which creates a passageway to open our minds and hearts to envision a world beyond the present, a world of acceptance and connective enlightenment.
Behind the Green Door is a collection of stories that will make you laugh but also may bring a tear to your eye while you read in vivid detail the challenges of an immigrant child and the struggles of being uprooted to a new land without understanding the language and traditions of this strange new world.
Economic liberalization and globalization in India in the early 1990s resulted in a whirlwind of consumerist activities. New material and visual temptations swamped the markets. Expanding field of commodification infiltrated consumer minds through media imageries. New objects of desire aroused inhibited cravings. This engendered an accelerated and intensified relationship with things and images that permeate our everyday lives. Consumerist Encounters elucidates how our all-consuming relationship with objects and their representations have transformed rapidly over the last few decades in contemporary urban India. It argues that ephemerality, frivolousness, and multiplicity of choice regulate our flirtatious encounters with commodities and their images as we restlessly use, exhaust, dispose, and move on. Such a trend is illustrated by examining a plethora of commodity-centric phenomena such as exclusion through apparel, eroticization of body images, population of the T-shirt surface with graphics and text, rise of business process outsourcing, instantaneous seeing and sharing of images, and rejection of material goods in junkyards and ruins. These explorations collectively shed light on the constant negotiation of our identities, statuses, and mobilities in the image-saturated commodity landscape.
*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
Examining discomfort’s physical, emotional, conceptual, psychological and aesthetic dimensions, the contributors to this volume offer an alternate, cultural approach to the study of architecture and the built environment. By attending to a series of disparate instances in which architecture and discomfort intersect, On Discomfort offers a fresh reading of the negotiations that define architecture’s position in modern culture. The essays do not chart comfort’s triumph so much as discomfort’s curious dispersal into practices that form ‘modern life’ – and what that dispersion reveals of both architecture and culture. The essays presented in this volume illuminate the material culture of discomfort as it accrues to architecture and its history. This episodic analysis speaks to a range of disciplinary fields and interdisciplinary subjects, extending our understanding of the domestication of interiors (and objects, cities and ideas); and the conditions under which – by intention or accident – they discomfort.