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This book is the largest referral for Turkish companies.
The purpose of this book is to present new information about the late 19th & early 20th century cut glass industry in Corning, New York. The book focuses on T. G. Hawkes & Co because of the recent discovery of the latter's archival materials, 1880-1890.
"The text provides a history of the Indian Glass company, shape and pattern definitions, identification and color guides. Prices are found in the captions and in tables within the text."--Cover.
For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.
Showcases more than 850 glass bells produced primarily during the nineteenth and twentieth centuries in America, England, and Europe. Included are cut glass bells, engraved bells, blown and pressed glass bells, and a special chapter on wedding bells. Each bell is identified by type, date made, country of origin, producer if known, size, color, decoration or pattern, and current value. Background information on the manufacturers is provided as well. A treasure for those who appreciate bells, glass, and the decorative arts.
Over 190 illustrations from L.G. Wright Glass Company catalogs display the vast array of glassware items sold by this New Martinsville, West Virginia, company from c. 1937 to 1999. Among the wares displayed are Early American Pattern Glass goblets, animal covered dishes, Opalescent, Carnival, Cased, Custard, Moon & Star, and Art glass, pressed patterns, and novelties. The captions for the catalog pages include original pattern names, line or piece numbers, and current market values.
Green was a popular color for glassware made during the Depression and its popularity among collectors is very evident today. This book includes examples of forty-six patterns and brief histories of the glass companies, along with a chapter of incidental pieces from such firms as Anchor Hocking, Bartlett-Collins, Federal, Hazel-Atlas, Imperial, L. E. Smith, U. S. Glass and others. An indispensable guide for all who collect Depression Era glass and enjoy the beauty of green glassware.
This book is a salute to early American pattern glass table sets. With the picture quality herein, this book is not only for the new collector who is just being introduced to early American pattern glass, but also for those who have collected for years. You will find over 425 patterns made by such industry giants as U.S. Glass, Northwood, Cambridge, Heisey, Fostoria, and Indiana Glass. Our aim was for actual pictures of each pattern for easy identification plus a price guide and an index of cross references of the various names ascribed to the same pattern. Dates and colors made, reproduction information, and pertinent facts are included, as well as current collector values. Values are even given for items not shown in photos, in the event that readers own something not pictured in the book. This book also features dimensions of each piece shown, something not always available in previous references. Coordinated by Don Jones and Danny Cornelius. 2007 values.
Written from the many lectures, discussions and laboratory demonstrations hosted by the author, this book provides an understanding of the proper materials and techniques to be used in the conservation and restoration of glass objects.