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Kinky movies involve fetishism, bondage, discipline, dominance and submission, sadomasochism, and other related interpersonal dynamics. In this edition of Trends of Terror, film critic Steve Hutchison reviews 78 kinky movies sorted from best to worst. How many have you seen?
A smart, sexy guide to embracing the repressed, tabooed, and often unwanted aspects of ourselves so we can discover our inner power and finally live the life we deserve. “We always get exactly what we want; but often, though we may not be aware of it, what we most want is dark—very dark.” Each of us has a dual nature: we are light (conscious) and dark (unconscious). The dark side of our personality—the “other,” the shadow side—is made up of what we think is our primitive, primal, negative impulses—our “existential kink.” Our existential kink also drives the dark or negative repeating patterns in our life: always choosing the abusive partner or boss, settling for less, thinking that we’re undeserving, not worthy. But it also is the source of our greatest power. In Existential Kink, Carolyn Elliott, PhD, offers a truth-telling guide for bringing our shadow into the light. Inviting us to make conscious the unconscious, Elliott asks us to own the subconscious pleasure we get from the stuck, painful patterns of our existence. Existential Kink provides practical advice and meditations so we truly see our shadow side’s “guilty pleasures,” love and accept them, and integrate them into our whole being. By doing so, Elliott shows, we bring to life the raw, hot, glorious power we all have to get what we really want in our lives.
Saturday Night Fever is simultaneously one of the biggest-selling albums of all time and one of the most reviled. How can a record create such a polarizing reaction? Australian writer Clinton Walker attempts to answer that question and finds that, among other things, a certain seemingly unlikely Australianness is part of the reason. Fever was a supernova for disco, for the Bee Gees, for the domineering Robert Stigwood, producer of the film and its true auteur, and for the entire record business. This book traces all the interdependent convolutions that fed into the film and its music – not least the Australian roots that Stigwood and Gibb brothers shared, which gave them an Otherness and almost gormless, shape-shifting self-determination – and it finds that sometimes great art can be made by a committee ... that sometimes, five songs are enough to change the world.
A collection of closely related essays on cult film, cult adaptations, and cultism as a way of life.
Sadomasochism and the BDSM Community in the United States: Kinky People Unite chronicles the development of sadomasochistic sexuality and its communities in the United States from the post-war period to the present day. Having evolved from scattered networks of sadomasochists to a coherent body bound by shared principles of "safe, sane, consensual," activists worked to transform popular perceptions of their community, end its routine harassment by law enforcement and win inclusion in American society. Often paralleling the work of LGBTQ activists, people who engaged in BDSM (Bondage and Discipline, Dominance and Submission, and Sadism and Masochism) transformed both their own sexual practices and how outsiders perceived them, successfully changing popular perceptions of them from fascists, murderers, and outlaws to people living an alternative lifestyle. The development of this community highlights the interactions of people of different sexual orientations within a sexual community, the influence of various campaigns for sexual freedom, and the BDSM community's influence on popular perceptions of sexuality and sexual freedom. The text’s historical perspective gives depth and texture to a specific dimension of American history of sexuality. This book will be of interest to students and scholars in the history of sexuality. Its clear and direct approach offers an important and useful chronology of a movement that has long been neglected.
Contributing to revised notions of inclusivity and acceptance, this interdisciplinary work deftly identifies both historical and current approaches to understanding and analyzing kink, and pinpoints avenues for future research.
Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women. Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.