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A new edition of this definitive world history of glassmaking and decorative techniques from 2500 BC, updated to cover the first decade of the 21st century. This classic book traces the history of glassmaking from its origins in Western Asia some 5000 years ago, through the invention of glassblowing around the first century BC, to the introduction of mechanised processes and new styles in the 19th and 20th centuries. It highlights the flourishing industries of ancient Mesopotamia and Egypt, the extraordinary achievements of the Roman Empire, the elegant vessels of the Islamic Near East, the superb mastery of Renaissance Venice and the wide‐ranging experiments of modern Europe and America. With a new final chapter by John P. Smith, Editor of The Glass Circle journal, to bring the book right up to date with the latest developments, 5000 Years of Glass is still the definitive single‐volume general history of this most versatile art form.
A complete history of glass from its origins 5000 years ago to mechanized processes for its production in the twentieth century.
"A concise history of glassmaking around the world, from Mesopotamia to the present day"--
Picture, if you can, a world without glass. There would be no microscopes or telescopes, no sciences of microbiology or astronomy. People with poor vision would grope in the shadows, and planes, cars, and even electricity probably wouldn't exist. Artists would draw without the benefit of three-dimensional perspective, and ships would still be steered by what stars navigators could see through the naked eye. In Glass: A World History, Alan Macfarlane and Gerry Martin tell the fascinating story of how glass has revolutionized the way we see ourselves and the world around us. Starting ten thousand years ago with its invention in the Near East, Macfarlane and Martin trace the history of glass and its uses from the ancient civilizations of India, China, and Rome through western Europe during the Renaissance, Enlightenment, and Industrial Revolution, and finally up to the present day. The authors argue that glass played a key role not just in transforming humanity's relationship with the natural world, but also in the divergent courses of Eastern and Western civilizations. While all the societies that used glass first focused on its beauty in jewelry and other ornaments, and some later made it into bottles and other containers, only western Europeans further developed the use of glass for precise optics, mirrors, and windows. These technological innovations in glass, in turn, provided the foundations for European domination of the world in the several centuries following the Scientific Revolution. Clear, compelling, and quite provocative, Glass is an amazing biography of an equally amazing subject, a subject that has been central to every aspect of human history, from art and science to technology and medicine.
This newest publication in the popular Looking At series deals with glass terminology. The often arcane technical terms relating to the production and decoration of glass, as well as names of special shapes of glass beakers, are defined in succinct language. Ranging from ancient Roman moldmade glass to modern pressed glass, this glossary is a handy guide for museum-goers and anyone interested in the art of glassmaking. Illustrated with samples of Roman, Renaissance, Victorian, and modern glass, as well as engravings showing glassmakers at work, the book is both a visual delight and an informative small reference work. Objects shown are from the collections of the J. Paul Getty Museum; the Corning Museum of Glass in Corning, New York; and the Victoria and Albert Museum in London. A short bibliography rounds out the volume.
Fundamentals of Inorganic Glasses, Third Edition, is a comprehensive reference on the field of glass science and engineering that covers numerous, significant advances. This new edition includes the most recent advances in glass physics and chemistry, also discussing groundbreaking applications of glassy materials. It is suitable for upper level glass science courses and professional glass scientists and engineers at industrial and government labs. Fundamental concepts, chapter-ending problem sets, an emphasis on key ideas, and timely notes on suggested readings are all included. The book provides the breadth required of a comprehensive reference, offering coverage of the composition, structure and properties of inorganic glasses. - Clearly develops fundamental concepts and the basics of glass science and glass chemistry - Provides a comprehensive discussion of the composition, structure and properties of inorganic glasses - Features a discussion of the emerging applications of glass, including applications in energy, environment, pharmaceuticals, and more - Concludes chapters with problem sets and suggested readings to facilitate self-study
Now in paperback, the updated and expanded edition: David Graeber’s “fresh . . . fascinating . . . thought-provoking . . . and exceedingly timely” (Financial Times) history of debt Here anthropologist David Graeber presents a stunning reversal of conventional wisdom: he shows that before there was money, there was debt. For more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors. Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.
The Heineman Collection at the The Corning Museum of Glass in Corning, New York, is one of the largest collections of studio glass sculptures and vessels in the United States. Given to The Corning in 2006, this is the first publication documenting this vast new addition to the Museum's collections. The Collection reflects historical developments in the field of contemporary studio glass, and it explores the broad themes of abstraction and material. SELLING POINTS: *Reflecting a deep respect for, and commitment to, artists and their work, the Heineman Collection demonstrates the versatility of one material -- glass -- in exploring and expressing a wide range of ideas in art * The collection includes 240 objects, dating from 1969 to 2005, by 87 artists from the United States, Europe, Australia, and Japan 529 colour & 116b/w illustrations
A stunning introduction to the material culture of some of the great civilizations of Asia Iran was the home of some of the greatest civilizations of both the ancient and medieval worlds, but these achievements remain poorly known and largely misunderstood outside the country. Epic Iran tells the story of Iran from pre-Islamic through modern times and provides an opportunity to see pieces from key museum and private collections. This book combines the ancient and Islamic periods and continues the narrative into the contemporary world. It shows how civilized life emerged in Iran around 3,200 BC and how a distinctive Iranian identity formed 2,500 years ago has survived until today, expressed in the Persian language and in religious affiliations. Lavishly illustrated, some 250 images showcase pieces including goldwork, ceramics, glass, illustrated manuscripts, textiles, carpets, oil paintings, drawings, and photographs. Alongside the historical sweep are examples from contemporary artists and makers, demonstrating the rich antecedents still influencing some modern-day practitioners.