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Encouraging Miss Meteyard with her writing; the photograph is of Mary Howitt and her husband William; biographical notes are included.
This book redefines the origins of the women's rights campaigns in Britain. Contrary to the existing historiography, which argues that the Victorian Feminist movement began in the 1850s, this book, by bringing to light a wealth of unused sources, demonstrates that a vibrant community existed during the 1830s and 1840s. Previously neglected, this remarkable group of writers and reformers established both the ideologies and personnel network which provided the foundations of the women's rights campaigns of the coming decades.
This book offers the first extended account of the mid-century rise of ‘model women of the press’: women who not only stormed the male bastions of social and political journalism but also presented themselves as upholders of the highest standards of professional journalistic practice. They broke the codes of anonymity in several ways, including signing articles in their own names and developing distinctly female personae. They proved, by example, women’s fitness for conventionally masculine lines of journalism. By placing Victorian women’s serious, high-minded journalism firmly within the context of ‘the widening sphere’ of female professions in mid-nineteenth-century England, the book shows how a wide range of women writers, including leading Victorian feminists and female reformers, contributed to the professionalization of women’s authorship. Drawing on extensive archival research and close analysis of a wide range of printed texts, from Victorian newspapers and periodicals to autobiographies, memoirs, and fiction, this book elucidates several aspects of Victorian women’s journalism that have been previously ignored: the market interest of the feminist English Woman’s Journal; the ability of women like Eliza Meteyard and Frances Power Cobbe to write consistently on serious social and political issues in mainstream periodicals; Harriet Ward’s astonishing reportage from the war fields of South Africa; and Harriet Martineau’s reports on Famine-devastated Ireland and her role as a transatlantic commentator on American abolitionism. The study also offers the first focused account of the figure of the female professional journalist in Victorian novels, showing how these texts move away from the dominant myth of the author as a solitary genius to present the female journalist as a collaborator who adapts her writing to fit various newspapers and periodicals, and works closely with male editors and peers. In examining the rise of the Victorian woman writer as a serious social and political journalist, this book adds to current critical understanding of female political expression, authorial agency, and cultural authority in nineteenth-century England.
Nudism, playgroups, pre-marital agreements, male breast-feeding - these are just some of the startling proposals for women's emancipation discovered in this unique anthology. A fascinating collection, it brings together the many diverse political extents of early nineteenth-century British feminism, as well as representing the works of literary figures such as Shelley, Tennyson and the Brontes. Complete with an extensive bibliography, biographical index and illuminating contextualization, it will provide an invaluable tool for scholars and students of feminism, women's history, and early nineteenth-century literature.