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Shortlisted for the 2017 Sunday Times Young Writer of the Year From critically acclaimed and Baileys Prize-nominated author Sara Taylor comes a dazzling new novel about youth, identity, and family secrets After a fight with Alex’s father, Ma pulls Alex out of bed and onto a pilgrimage of self-discovery through her own enthralling past. Guided by a memory map of places and people from Ma’s life before motherhood, the pair travels from Virginia to California, each new destination and character revealing secrets, stories, and unfinished business. As Alex’s coming-of-age narrative unfolds across the continent, we meet a cast of riveting and heartwarming characters including brilliant Annie, who seeks the help of Ma and Alex to escape the patriarchal cult in which she was raised, and the tragic young Marisol, whose dreams of becoming a mother end in heartbreak. Slowly, Alex begins to realizes that the road trip is not a string of arbitrary stops, but a journey whose destination is perhaps Ma’s biggest secret of all. Told from the perspective of Alex, a teenager who equates gender identification with unwillingly choosing a side in a war, and written with a stunningly assured lyricism, The Lauras is a fearless study of identity, set against the gorgeously rendered landscape of North America.
This early work by Wilkie Collins was originally published in 1851. Born in Marylebone, London in 1824, Collins' family enrolled him at the Maida Hill Academy in 1835, but then took him to France and Italy with them between 1836 and 1838. Returning to England, Collins attended Cole's boarding school, and completed his education in 1841, after which he was apprenticed to the tea merchants Antrobus & Co. in the Strand. In 1846, Collins became a law student at Lincoln's Inn, and was called to the bar in 1851, although he never practiced. It was in 1848, a year after the death of his father, that he published his first book, The Memoirs of the Life of William Collins, Esq., R.A., to good reviews. The 1860s saw Collins' creative high-point, and it was during this decade that he achieved fame and critical acclaim, with his four major novels, The Woman in White (1860), No Name (1862), Armadale (1866) and The Moonstone (1868). The Moonstone, meanwhile is seen by many as the first true detective novel - T. S. Eliot called it "the first, the longest, and the best of modern English detective novels...in a genre invented by Collins and not by Poe." Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
What is this World? What kind of place is it? "The round kind. The spinning kind. The moist kind. The inhabited kind. The kind with flamingos (real and artificial). The kind where water in the sky turns into beautifully symmetrical crystal flakes sculpted by artists unable to stop themselves (in both design and quantity). The kind of place with tiny, powerfully jawed mites assigned to the carpets to eat my dead skin as it flakes off. The kind with people who kill and people who love and people who do both... "This world is beautiful but badly broken." "I love it as it is, because it is a story, and it isn't stuck in one place. It is full of conflict and darkness like every good story, a world of surprises and questions to explore. And there's someone behind it; there are uncomfortable answers to the how's and whys and what's. In the beginning was the Word, and the Word was with God, and the Word was God. Through Him were all things made... Welcome to His poem. His play. His novel. Let the pages flick your thumbs."
The story of two people who begin to love each other as boy and girl. Some mysterious agency seems to be at work, all through the story, in their behalf; for though apparently separated as children forever, they are brought together again by a most singular chain of circumstances. Apparitions and other strange hallucinations abound in the work. Altogether a pleasantly weird and odd story, and very much different from Wilkie Collins' other novels.
B`..melodrama is perennial and the craving for it is perennial and must be satisfied' T. S. Eliot ('Wilkie Collins and Dickens') Collins's ability to construct a gripping situation and to create an atmosphere of mystery and menace is fully evident in the three novellas reprinted here. All proceed through a series of dramatic scenes to a climax that in one case at least is literally explosive. The fast-paced Miss or Mrs? (1871) opens on a yacht, features a remarkably unconventional heroine, and entails murder attempts, blackmail, clandestine marriage and commercial fraud. Dramatic and psychologically absorbing, the action of The Haunted Hotel (1878) takes place in an ancient Venetian palazzo converted into a modern hotel that houses a grisly secreI. Lastly, set in a beautiful water-mill, The Guilty River (1886) depicts a group of alienated characters, whose relationships threaten to erupt in violence and murder. Varied in setting and tone, these stories demonstrate Collins's plot-making skill at its most succinct and intricate. *Introduction * Textual Note * Bibliography * Chronology * * Explanatory Notes *Appendix: Collins's prefaces
The girl named Mary -- they called her Madonna, and she was deaf and dumb and beautiful as a painting by Raphael -- was a mystery. The Blyths adopted her from a kindly old woman connected to a traveling circus, but everyone knew she wasn't from circus folk. All they DID know about her identity was that she'd lost her hearing in an accident, and the proprietor of the circus