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When Cylin Busby was nine years old, she was obsessed with Izod clothing, the Muppets, and a box turtle she kept in a shoebox. Then everything changed overnight. Her police officer father, John, was driving to his shift when someone leveled a shotgun at his window. The blasts that followed left John's jaw on the passenger seat of his car-literally. While clinging to life, he managed to write down the name of the only person he thought could have pulled the trigger. The suspect? A local ex-con with rumored mob connections. The motive? Officer Busby was scheduled to testify against the suspect's family in an upcoming trial. Overnight, the Busbys went from being the "family next door" to one under 24-hour armed guard, with police escorts to school, and no contact with friends. Worse, the shooter was still on the loose, and it seemed only a matter of time before he'd come after John-or someone else in the family-again. With few choices left to them, the Busby family went into hiding, severing all ties to the only life they had known.
What did Lee Harvey Oswald do in the 48 hours after he shot President John F. Kennedy? This riveting companion to the upcoming History Channel documentary follows Oswald in the immediate aftermath of the assassination, searching for the answers to the questions that have troubled America for a half century: Did he actually pull the trigger? Was he alone? And if so, why? Steven M. Gillon, Scholar-in-Residence at the History Channel, explores the possibility that Cuban intelligence officials may have encouraged Oswald to commit the crime and promised to help him escape. Gillon recreates in painstaking detail the long interrogation sessions and reveals that many of the police officers who witnessed the sessions were convinced that Oswald had received special training. He was simply too good at deflecting questions, too smart, too confident. With new information from recently declassified documents, and revealing photos and documents, these pages offer a refreshingly new and complicated portrait of the man who assassinated President John F. Kennedy.
Conversations about death don't have to be morbid. Following the 'Positive Death Movement' and public education such as Death Cafés, many of us yearn to speak more openly about dying and death in ways that are more natural and direct. 21 Days to Die was written in that spirit, in the hope that all Canadians will come to recognize the signs of physical death and the sequence to facilitate necessary conversations and better timely decision-making. The book addresses both the medical and advanced care planning aspects, but also aspects such as psycho-social needs, grief work, rites of passage and much more. Written by a social worker and lay Buddhist Chaplain, 21 Days to Die inspires fearlessness in the face of seeing what doesn't want to be seen. Under these circumstances the mindfulness practices of being fully present in the moment and remembering the impermanence of all living things are both universal and calming. Dying people deserve loved ones who are prepared to take the journey with them to their final breaths with their eyes wide open. Resources - 18 practical lists encapsulating key points from the book - 35 essential Canadian end-of-life resources with QR codes for easy, on-the-spot access
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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.