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The first NME singles chart appeared on 14th November 1952, and this book contains every chart published from that date. It also includes 15 photo-history features on the development of modern music, a month-by-month chart commentary, and a facts-and-figures section.
Marking the 40th anniversary of New Musical Express, this book contains every singles chart it has published. Every song title is indexed, with the date of its first entry and highest position, and there are profiles of leading artists and photographs and original advertisements from each era.
Chronicles the history of blues music from its emergence in the early 1900s through the twentieth century, and describes the musical accomplishments of Leadbelly, Bessie Smith, Howlin' Wolf, Robert Johnson, Muddy Waters, Jimmy Reed, B.B. King, and others. Includes an audio CD.
On 14 November 1952, the New Musical Express published the first British singles chart. In the 65 years since, 21922 records have entered the top 40. This book lists the 1000 biggest of those hits. The list is calculated solely from chart positions, not sales figures. These are the biggest chart performers, not the biggest sellers. Indeed, ""Candle In The Wind 1997"" by Elton John, the biggest selling single ever in the UK, is only at no. 182 in this list. The ranking is compiled from the weekly charts starting with that first chart in November 1952 up to the last chart published before the 65th anniversary, the one dated 16 November 2017 and first revealed on 10 November.
Arts Reviewing: A Practical Guide is an accessible introduction to the world of arts criticism. Drawing on professional expertise and a range of cultural reviews from music, film, theatre, visual arts, television and books, Andy Plaice discusses different approaches to arts criticism, with tips on crafting great reviews. Chapters explore: • a brief history of arts criticism; • researching and preparing for an assignment; • legal and ethical boundaries when reviewing; • finding your own writing style; • starting and sustaining a career in arts criticism in the digital age. The book is underpinned by over 20 interviews with leading practitioners from across Britain, America and Australia. They offer fascinating insights into the life of a critic, including their best and worst career moments and the debates impacting the field of arts criticism. Interviewees include Neil McCormick, rock critic at the Daily Telegraph, the Guardian theatre critic Lyn Gardner and television critic Mark Lawson (BBC/ the Guardian). New approaches to reviewing techniques and writing style are combined with real-world advice from leading professionals in the field, making this book an ideal resource for students and graduates of journalism, cultural studies and media studies.
This book makes a case for the synergetic union between reality TV and the music industry. It delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. It challenges the current scholarship which does not adequately distinguish the economic significance of these developments.
The updated third edition of the only chart book that lists singles, EPs, and albums in one volume.The official UK chart began in 1952 and this epic work of reference includes absolutely every charting album, single and EP up to December 2003. The hits are arranged by artist and are identified by country of origin, label, chart position, and number of weeks in the chart. Also includes a †̃Statistics' section.
Let’s spend the night together explores how sex and sexuality provided essential elements of British youth culture in the 1950s through to the 1980s. It shows how the underlying sexual charge of rock ‘n’roll – and pop music more generally – was integral to the broader challenge embodied in the youth cultures that developed after World War Two. As teenage hormones rushed to move to the music and take advantage of the spaces opening up through consumption, education and employment, so the boundaries of British morality and cultural propriety were tested and often transgressed. Be it the assertive masculinity of the teds or the lustful longings of the teeny-bopper, the gender-bending of glam or the subterranean allure of an underground club/disco, the free love of the 1960s or the punk provocations in the 1970s, sex was forever to the fore and, more often than not, underpinned the moral panics that fitfully followed any cultural shift in youthful style and behaviour. Drawing from scholarship across a range of disciplines, the Subcultures Network explore how sex and sexuality were experienced, presented, conferred, responded to and understood within the context of youth culture, popular music and social change in the period between World War Two and the advent of AIDS. The essays locate sex, music and youth culture in the context of post-war Britain: with a widening and ever-more prevalent media; amidst the loosening bonds of censorship; in a society shaped by changing patterns of consumption and the emergence of the ‘teenager’; existing, as Jeff Nuttall famously argued, under the shadow of the (nuclear) bomb.