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Do you like reading those hilarious tabloid "news" stories about Aliens, Bigfoot, dumb crooks, super-powered household pets, and "incredible but true" current event stories from tabloids? Do you also hate all the raunchy pictures, perverted stories, Hollywood gossip, and ads for implants, piercing and psychics? Me too. Instead of paying $3 to wade through all that garbage (that your kids will read also) to get 2 or 3 amusing stories an issue, why not get 40 funny, bite-size tales that can be consumed in a few minutes each? These are laughs you can share with family, friends, and co-workers. Pastor Pete, Sister Sally, and even your in-laws won't be embarrassed. The 4 short stories require 10-30 minutes per read. "A Real Life Superhero" is the inspirational account of a kind-hearted loser who always dreamed of being a superhero. Would people ever appreciate his life of good deeds? "Not Just a Cat" may be just a tad out there. The protagonist suffers a debilitating on-the-job back injury, which results in lying around the house, and taking pain pills complements of Workman's Compensation. After a few months, he thinks his cat is talking to him. All's well that ends well in this tale of temporary delusional hijacks. "Missy's Bear" is a refreshing (compared to my other stories) bedtime story I made up for my own daughters when they were young. A precocious little girl befriends a talking bear. There you have it folks. 44 original stories to keep you chuckling through the day.
In June 2010, the editors of The New Yorker announced to widespread media coverage their selection of "20 Under 40"—the young fiction writers who are, or will be, central to their generation. The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume. The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell. Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.
In Brandon Sanderson's riveting "Firstborn," a Tor.com Original short story, much glory is expected of the son of a High Duke of the interstellar Empire. And expected. And still expected, despite endless proof that young Dennison Crestmar has no talent whatsoever for war. But the life Dennison is forced to live will have its surprising lessons to impart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This book is another high-calibre volume in IMAGES’ acclaimed Master Architect Series of monographs. The Architecture of Adrian Smith, SOM: Toward a Sustainable Future showcases a body of work that has made a significant contribution to contemporary world architecture. Adrian Smith has brought design solutions with enduring value to the entire planet. He’s designed buildings in China, England, Germany, Brazil, Kuwait, Canada, Korea, Guatemala, Bahrain, Japan, Saudi Arabia, Dubai and the United States. His expertise covers areas as broad as operations, marketing, finance, and professional services. He is truly one of the few architectural polymaths, a person who has a great diversity of skills and immense intellect. Smith is perhaps most recognized for designing exceptionally aesthetic and functional tall buildings. He understands scale, community, and context as few others do. He is passionate about (and celebrates) well- designed buildings of all shapes and sizes, and has earned accolades for designing the tallest building in the world. Some of Smith’s most renowned works include Banco De Occidente, United Gulf Bank, Rowes Wharf, 10 Ludgate, Jin Mao Tower, Burj Dubai, and Pearl River. When it comes to important buildings, Adrian Smith and SOM have provided us a beacon by which to steer. In these richly illustrated pages, Adrian Smith illuminates, showing us how to engage, energize, and inspire students, architects, and clients to do and to be their very best.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.