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Christina Rossetti’s Environmental Consciousness takes a cognitive ecocritical approach to Rossetti’s writing as it developed throughout her career. This study provides a unique understanding of Rossetti’s identity as an artist through a cognitive model while also engaging significantly with her spiritual relationship to the nonhuman world. Rossetti was a deliberate and conscious creator who used her writing for therapeutic purposes to create, contemplate, maintain, verify, and, revise her identity. Her understanding of her autobiographical self and her place in the world often comes through observations and poetic treatments of the nonhuman. Rossetti, her speakers, and her characters seek spiritual knowledge in the natural world and share this knowledge with an audience. In nature, Rossetti finds evidence for and guidance from a loving God who offers salvation. Her work places a high value on nature from a Christian perspective that puts conservation over renunciation. She frequently uses strategies that have now been identified by Christian environmentalist such as retrieval, ecojustice, stewardship, and ecological spirituality. With new readings of popular works like "Goblin Market" and "A Birthday," along with treatments of largely neglected works like Verses (1847) and Rossetti’s devotional writings, Christina Rossetti’s Environmental Consciousness offers an understanding of Rossetti’s processes and purposes as a writer and displays new potential for her work in the face of twenty-first-century environmental issues.
An entertaining account of an extraordinary cultural and historical event: - the establishment by one highly intelligent woman of a salon of the arts in a beautiful country house in Northumberland. Wallington Hall was remote from the major centres of artistic activity, such as London and Edinburgh. Yet Pauline Trevelyan single handedly made it the focus of High Victorian cultural life. Among those she attracted into her orbit were Ruskin, Swinburne, the Brownings, the Rossettis (Dante Gabriel, Christina and William Michael), Carlyle, and Millais and other members of the Pre-Raphaelite Brotherhood. The penniless but clever daughter of a clergyman, Pauline Jermyn married an older man whom she met through a shared passion for geology. Sir Walter Trevelyan was a philanthropist, teetotal, vegetarian, pacificist ... and very rich. With his encouragement, she collected works of art and decorated Wallington Hall with a cycle of vast paintings on the history of Northumberland. She was a patron of the arts who provided a fostering environment for many of the geniuses of her day. After her death, Swinburne wept every time her name was mentioned.
John Ruskin and the Victorian Woman Writer addresses the little-considered personal and literary relationships of John Ruskin and four major Victorian women writers: Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Christina Rossetti. Drawing on new archival, primary research, the book provides detailed biographical contexts for each of these relationships before considering the interplay of each woman’s writing with Ruskin’s. Focusing on literature, art, economics, and gender, it offers close readings of a selection of each woman’s oeuvre alongside Ruskin’s prose to demonstrate the affinities and the moments of disagreement between Ruskin and these writers. Though primarily aimed at an academic audience, the book will also be of interest to general readers with a developed interest in nineteenth-century culture. It advances readers’ understandings of the complex web of influence that existed between Ruskin and women writers in the 1850s and 1860s, establishing the opportunities that Ruskin’s art theory offered women writers engaged with social questions and the apparent influence of these writers on Ruskin’s own emerging political economy. By analysing women writers’ responses to Ruskin’s work—and his response to theirs—this book complicates and challenges assumptions about Ruskin’s supposedly troubled relationship with women.
It is a rule that no Trevelyan ever sucks up either to the press, or the chiefs, or the “right people”.The world has given us money enough to enable us to do what we think is right. We thank it for that and ask no more of it, but to be allowed to serve it.' G. M. Trevelyan The Trevelyans are unique in British social and political history: a family that for several generations dedicated themselves to the service and chronicling of their country, from the radical, reforming civil servant Charles Edward Trevelyan to the historian G. M. Trevelyan. Often eccentric, priggish, high-minded and utterly self-regarding, they have nonetheless left their mark on our past. This engaging history dispassionately explores the lives and achievements of this unique family and the part they played in shaping the history of Great Britain.