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Schubert wrote 452 short dances and this collection presents 52 of the most beautiful, melodic, and expressive waltzes written by this beloved composer. The editor carefully selected a representative sampling of the kind of dance music Schubert must have improvised for parties. The Valses Nobles, Op. 77, D 969 are included in their entirety along with 18 of the Letzte Walzer (Last Waltzes), Op. 127, D 146. Other waltzes were chosen from Op. 9, Op. 18, Op. 33, and Op. 50.
This collection of articles clarifies problems of style and chronology in the music Schubert composed during the last decade of his life.
Of all the great composers, none - not even Mozart - has been so dogged by myth and misunderstanding as Franz Schubert. The notion of Schubert as a pudgy, lovelorn Bohemian schwammerl (mushroom) scribbling tunes on the back of menus in idle moments has never quite been eradicated. In this major new biography, Brian Newbould balances discussion of Schubert's compositions with an exploration of biographical influences that shaped his musical aesthetics. Schubert: The Music and the Man offers an eminently readable description of a musician who was compulsively dedicated to his art - a composer so prolific that he produced over a thousand works in eighteen years. Gifted with an intuitive know-how, coupled with a Mozartian facility for composition, Schubert combined the relish and wonder of an amateur with the discipline and technical rigor of a professional. He moved quickly and comfortably among genres, and sometimes composed directly into score but many pieces required painstaking revision before they satisfied his growing self-criticism. Examining afresh the enigmas surrounding Schubert's religious outlook, his loves, his sexuality, his illness and death, Newbould offers above all a celebration of a unique genius, an idiosyncratic composer of an astonishing body of powerful, enduring music.
A specialist in Schubertian biography and bibliography definitively catalogs the 1,515 known and traceable Schubert works in their chronological order. Entries include title, catalog number, date and place of composition, location of original manuscript, statistics of first performance and first edition, historical notes and more. Includes 5 appendixes and 3 indexes.
Schubert's Four Impromptus for Piano, Op. 142 are among his most beloved and popular works, showcasing the composer's extraordinary lyrical gifts and technical virtuosity. With their romantic melodies and delicate phrasing, these pieces are a testament to Schubert's genius and continue to captivate audiences today. This book is an ideal resource for pianists looking to study and perform these masterpieces of the piano repertoire. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A lovely haunting exercise in tremolo.
42 of the most famous classics arranged for simplified piano. These enchanting melodies supply students of the first and second levels of study with an introduction to the world's finest music.