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Following on from the success of Little One, from the same creative team comes Son, a declaration of love from parents to their son, with stunning art by award-winning illustrator Sonja Wimmer This book is an invitation to transmit to our offsprings the love we have for them, the commitment to accompany them in every step they take in life, and, above all, the pride and privilege that every parent feels for being able to see them grow. From the moment they are born until they grow up, from their first glance cast at us until the moment when they are ready to start flying on their own. Son is the perfect story to read in bed. Our little ones will fall asleep with a smile, protected by the love of their moms and dads. A book that the whole family will want to read again and again, to remind us of the simple joy of traveling along life’s highway together.
365 Bedtime Stories and Rhymes has a new story for each day of the year!
First Published in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it. Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape. Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always.
Off the map began its life as a 98-page half-size zine, of which 50 copies were made by its two authors in Prague and given out to friends. A few months later in Olympia, Wash., CrimethInc. agents happened upon one of the authors making a few more copies, and she gave them a copy. One day later, a search was underway to find the author and get permission to copy and distribute the publication. Both authors became actively involved with CrimethInc., and since then CrimethInc has distributed thousands of copies. Cf. CrimethInc. website.
A satirical masterpiece, "The Visions of Quevedo" offers a glimpse into Spanish literature through the lens of Francisco de Quevedo. With sharp wit and keen observations, Quevedo critiques society, human nature, and the world around him, making this work a significant contribution to classic literature. His perspective offers a fresh take on traditional themes.
“This collection, because of its exceptional theoretical coherence and sophistication, is qualitatively superior to the most frequently consulted anthologies on Latin American women’s history and literature . . . [and] represents a new, more theoretically rigorous stage in the feminist debate on Latin American women.”—Elizabeth Garrels, Massachusetts Institute of Technology
In 2007, the United Nations adopted the UN Declaration on the Rights of Indigenous People, a landmark political recognition of indigenous rights. A decade later, this book looks at the status of those rights internationally. Written jointly by indigenous and non-indigenous scholars, the chapters feature case studies from four continents that explore the issues faced by Indigenous Peoples through three themes: land, spirituality, and self-determination.
The Rebel is the memoir of a revolutionary woman, Leonor Villegas de Magnon (1876-1955), who was a fiery critic of dictator Porfirio Diaz and a conspirator and participant in the Mexican Revolution. Villegas de Magnon rebelled against the ideals of her aristocratic class and against the traditional role of women in her society. In 1910 Villegas moved from Mexico to Laredo, Texas, where she continued supporting the revolution as a member of the Junta Revolucionaria (Revolutionary Council) and as a fiery editorialist in Laredo newspapers. In 1913, she founded La Cruz Blanca (The White Cross) to serve as a corps of nurses for the revolutionary forces active from the border region to Mexico City. Many women like Villegas de Magnon from both sides of the border risked their lives and left their families to support the revolution. Years later, however, when their participation had still been unacknowledged and was running the risk of being forgotten, Villegas de Magnon decided to write her personal account of this history. The Rebel covers the period from 1876 through 1920, documenting the heroic actions of the women. Written in the third person with a romantic fervor, the narrative interweaves autobiography with the story of La Cruz Blanca. Until now Villegas de Magnon's written contributions have remained virtually unrecognized - peripheral to both Mexico and the United States, fragmented by a border. Not only does her work attest to the vitality, strength and involvement of women in sociopolitical concerns, but it also stands as one of the very few written documents that consciously challenges stereotyped misconceptions of Mexican Americans held by both Mexicans and Anglo-Americans.