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Trombone Craft is a progressive method method targeted to high school or college trombone students. It can be useful for professionals as well. The first half of the book is in three main parts covering a variety of technical and rhythmic challenges. The second half of the book contains 8 appendices covering such topics as multiple tonguing, scales, high range development and tone/tuning.
(Elementary Method). One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.
This Encore edition, by Chicago Symphony Orchestra trombonist Michael Mulcahy, is the only comprehensive version every published for trombone and is carefully engraved to the highest quality standards. The book contains all 120 of the Bordogni Melodious Etudes.The many errors that exist in the old trombone editions are now corrected in this new book. The Bordogni Vocalises (also known as the Melodious Etudes) are essential for all trombonists.In the text, concepts of performance technique are discussed and applied to the music. The more advanced Vocalises are presented in tenor or alto clef. Additionally, Mr. Mulcahy offers several complete interpretations of etudes. In short, this is a new Bordogni.
The Teaching of Instrumental Music, Fifth Edition introduces music education majors to basic instrumental pedagogy for the instruments and ensembles commonly found in the elementary and secondary curricula. It focuses on the core competencies required for teacher certification in instrumental music, with the pervasive philosophy to assist teachers as they develop an instrumental music program based on understanding and respecting all types of music. Parts I and II focus on essential issues for a successful instrumental program, presenting first the history and foundations, followed by effective strategies in administrative tasks and classroom teaching. Parts III, IV, and V are devoted to the skills and techniques of woodwind, brass and percussion, and string instruments. In all, The Teaching of Instrumental Music is the complete reference for the beginning instrumental teacher, commonly retained in a student’s professional library for its unique and comprehensive coverage. NEW TO THIS EDITION: Revision and updating of curriculum developments, such as coordinating State Department of Education student learning objectives with the recent Every Student Succeeds Act (ESSA) New discussion of the NAfME National Standards as they relate to the teaching of instrumental music Revamping of rehearsing instrumental ensembles chapters, including new or expanded sections on programming, choosing quality music, and applying successful rehearsal techniques Updates on references, plus new discussion questions, and websites and internet links A chapter devoted to classroom guitar Updates on the use of technology for teaching and learning music More on healthy performance practice, marching band, and jazz band Online materials located in the eResources section on the Routledge website.
These fifteen bass trombone etudes were written with the sober thought that, when you can play them, you can also play anything else written for this beautiful instrument! Among the selections you will find; a delightful jazz waltz; oodles of flexibility challenges; triple and double tonguing; the slow blues; a pretty ballad; and many other musical "traps" that you will thoroughly enjoy.
These etudes transcribed from the vocalises of Bordogini have been specially prepared for use by the trombonists, to perfect their technic generally and in particular to develop style in the interpretation of melody in all its varied forms of expression.
Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.