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(Piano Collection). A comprehensive collection of sonatinas for piano by ten composers: Bartok, Beethoven, Clementi, Diabelli, Dussek, Kuhlau, Lichner, Mozart, Reinecke, and Spindler. Includes Clementi's famous Six Sonatinas, Op. 36. Early intermediate to intermediate level. CONTENTS: BELA BARTOK: Sonatina, Sz. 55 * LUDWIG VAN BEETHOVEN: Sonatina in G Major, Anh. 5, No. 1 * Sonatina in F Major, Anh. 5, No. 2 * MUZIO CLEMENTI: Sonatina in C Major, Op. 36, No. 1 * Sonatina in G Major, Op. 36, No. 2 * Sonatina in C Major, Op. 36, No. 3 * Sonatina in F Major, Op. 36, No. 4 * Sonatina in G Major, Op. 36, No. 5 * Sonatina in D Major, Op. 36, No. 6 * ANTON DIABELLI: Sonatina in G Major, Op. 151, No. 1 * Sonatina in C Major, Op. 151, No. 4 * Sonatina in C Major, Op. 168, No. 3 * Sonatina in A minor, Op. 168, No. 7 * JAN LADISLAV DUSSEK: Sonatina in G Major, Op. 20, No. 1 * Sonatina in F Major, Op. 20, No. 3 * Sonatina in E-flat Major, Op. 20, No. 6 * FRIEDRICH KUHLAU: Sonatina in C Major, Op. 20, No. 1 * Sonatina in G Major, Op. 20, No. 2 * Sonatina in C Major, Op. 55, No. 1 * Sonatina in G Major, Op. 55, No. 2 * Sonatina in C Major, Op. 55, No. 3 * HEINRICH LICHNER: Sonatina in C Major, Op. 4, No. 1 * Sonatina in C Major, Op. 66, No. 1 * Sonatina in F Major, Op. 66, No. 2 * Sonatina in G Major, Op. 66, No. 3 * WOLFGANG AMADEUS MOZART: Six Viennese Sonatas: Sonatina No. 1 in C Major * Sonatina No. 2 in A Major * Sonatina No. 3 in D Major * Sonatina No. 4 in B-flat Major * Sonatina No. 5 in F Major * Sonatina No. 6 in C Major * CARL REINECKE: Sonatina in C Major, Op. 136, No. 1 * Sonatina in G Major, Op. 136, No. 2 * FRITZ SPINDLER: Sonatina in C Major, Op. 157, No. 4 * Sonatina in G Major, Op. 157, No. 8
Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.
Maurice Hinson presents a vast collection of some of the best-loved piano sonatinas, from the Baroque through the Modern eras. Includes 22 sonatinas from composers such as C.P.E. Bach, Clementi, Haydn, Mozart, Beethoven, Satie, Bartók and others. Each sonatina comes with background information and performance suggestions.
(Piano Collection). 10 of the most popular classical piano sonatas by Beethoven, Haydn, Mozart, and Schubert. CONTENTS: LUDWIG VAN BEETHOVEN: Piano Sonata in F Minor, Op. 2, No. 1 * Sonata in C Minor, Op. 10, No. 1 * Piano Sonata No. 8, Op. 13 ("Pathetique") * Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 ("Moonlight") * HAYDN: Piano Sonata in E-flat Major, Hob. XVI:52 * MOZART: Piano Sonata in C Major, K. 309 * Piano Sonata in A Minor, K. 310 * Piano Sonata in A Major, K. 331 * Piano Sonata in C Major, K. 545 * SCHUBERT: Piano Sonata in A Major, D. 664, Op. 120
(Piano). 269 pieces by 32 composers nearly 400 pages of music!
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.
At about the same time as 1783-85, a version for piano duet was made which rearranged the movements of the five Divertimenti as '6 Viennese Sonatinas'. Our new edition is based on the piano version of 1803 but also takes into account the original wind divertimenti and attempts to combine the original phrasing and part-writing with an idiomatic pianistic style.
Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. With source materials such as sketches and correspondence increasingly available, the time is ripe for a close study of the history of these works. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, including three that are often overlooked, examines each sonata in turn, addressing questions such as: Why were they written? Why did they turn out as they did? How did they come into being and how did they reach their final form? Drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence, Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.