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This book includes a total of 35 lists sorted by themes, as well as several bonus lists. Each list contains 31 recommended horror movies for each day of October. The closer you get to Halloween, the better the horror gets. Roll a six-sided die twice, during each day of October. Next, refer to the table of contents to find which list your result matches. Go to that list. Find and watch the movie that corresponds to today’s date. Happy Halloween!
"The clock is ticking -- every attack is less than 24 hours away. FBI agent Noah Reardon is at the center of the most devastating series of attacks in U.S. history. Singled out and taunted Reardon and his team attempt to thwart the next attack. Everyone struggles to understand how the attacks are linked to his time in Afghanistan or if it is simply a ruse to throw off the investigation. Every day brings more unrelenting destruction and pressure builds for immediate results. The President's attempts to root out the terrorists are riddled with uncertainty and unintended consequences for the American people. How do you track down an unknown number of terrorists living among 330 million who are ghosts popping up and disappearing into the mist only to strike again the next day? Follow Reardon on this journey of terror and redemption as he battles his own demons while attempting to stop the next attack that is always just a day away."--Page 4 of cover.
Upon the 100th anniversary of the most terrifying stretch of shark attacks in American history--a wave said to have been the inspiration for Jaws--comes a reissue of the classic Lyons Press account and investigation. In July 1916, a time when World War I loomed over America and New York City was in the midst of a deadly polio epidemic, the tri-state area sought relief at the Jersey shore. The Atlantic’s refreshing waters proved to be utterly inhospitable, however. In just twelve days, four swimmers were violently and fatally mauled in separate shark attacks, and a fifth swimmer escaped an attack within inches of his life. In this thoroughly researched account, Dr. Richard Fernicola, the leading expert on the attacks, presents a riveting portrait, investigation, and scientific analysis of the terrifying days against the colorful backdrop of America in 1916 in Twelve Days of Terror.
This book includes a total of 35 lists sorted by themes, as well as several bonus lists. Each list contains 31 recommended horror movies for each day of October. The closer you get to Halloween, the better the horror gets. Roll a six-sided die twice, during each day of October. Next, refer to the table of contents to find which list your result matches. Go to that list. Find and watch the movie that corresponds to today’s date. These horror personalities came up with their 31 favorite horror movies and ranked them: Rachel Talalay Patrick Lussier Jeffrey Reddick Vincenzo Natali Tiffany Shepis Emmanuelle Vaugier Marlena Midnite Kenneth J Hall David Marmor Victoria De Mare Anouk Whissell Francois Simard Yoann-Karl Whissell Joe Castro Joe Augustyn Andrew Kasch Sadie Katz Jennifer Nangle Casey Dillard Benjamin Scrivens Trista Robinson Jennilee Murray Russell Geoffrey Banks Lorraine Keith Sophia Cacciola Laura Wilson Adam Gierasch Vanessa Gomez Katherine Canipe Marshall Hicks Felicia Lobo Ammon Gilbert Hunter Shea Jack Campisi James Clayton Roberto Lombardi Diandra Lazor Paige Troxell Shane Ryan Derich Heath Roll “6” twice and you get to choose today’s movie from one of these. Happy Halloween!
This book includes summaries and reviews of some of the 36 both best written and best acted movies I’ve seen. They have been rated 3.5 or 4 on 4 for their story, and 4 on 4 for acting. This selection represents 1.5% of all the horror movies I’ve covered as a critic. The films are sorted in chronological order. They are rated on five aspects: stars, story, creativity, acting, and quality. These are not for the squeamish. You have been warned!
In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.
This graphic novel chronicles the immediate aftermath of the terrorist attack on the World Trade Center in New York City through moving individual stories that bear witness to history and the ways it shapes the future.
Since the release of The Exorcist in 1973, there has been a surge of movies depicting young women becoming possessed by a demonic force that only male religious figures can exorcise, thereby saving the women from eventual damnation. This book considers this history of exorcism cinema by analyzing how the traditional exorcism narrative, established in The Exorcist, recurs across the exorcism subgenre to represent the effects of demonic possession and ritual exorcism. This traditional exorcism narrative often functions as the central plot of the exorcism film, with only the rare film deviating from this structure. The analysis presented in this book considers how exorcism films reflect, reinforce or challenge this traditional exorcism narrative. Using various cultural and critical theories, this book examines how representations of possession and exorcism reflect, reinforce or challenge prevailing social, cultural, and historical views of women, minorities, and homosexuals. In particular, exorcism films appear to explore tensions or fears regarding empowered and sexually active women, and frequently reinforce the belief that such individuals need to be subjugated and disempowered so that they no longer pose a threat to those around them. Even more recent films, produced after the emergence of third wave feminism, typically reflect this concern about women. Very rarely do exorcism films present empowered women and feminine sexuality as non-threatening. In examining this subgenre of horror films, this book looks at films that have not received much critical scrutiny regarding the messages they contain and how they relate to and comment upon the historical periods in which they were produced and initially received. Given the results of this analysis, this book concludes on the necessity to examine how possession and exorcism are portrayed in popular culture.
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
Carrie. The Exorcist. Scream. The Thing. These are the movies that chill the blood and leave viewers huddled under the blankets at night. Of course, not every horror flick can boast such prestige. Leprechaun in the Hood is more likely to generate groans and catcalls than screams, while the dialogue in a gem like Texas Chainsaw Massacre: the Next Generation makes what's intended to be a screamfest into unintentional comedy. Join Trisha Paytas as she explores the wild, terrifying, and sometimes whacky world of slasher flicks and screamfests under the able guidance of horror movie writer Jeff Rendell. Together, the duo introduce thirty-one of the best and worst in horror-films so terrifying they haunt viewers for years, and those goofy flicks so bad they're good. Paytas watches well-known classics of the genre, as well as obscure works important for their influence or their connection to the broader world of cinema. Did you know before directing The Lord of the Rings Peter Jackson was best known for directing a New Zealand slasher flick called Dead Alive, widely considered one of the goriest movies ever made? Or that the flick includes an epic (and hilarious) man vs. zombie baby battle in a public park? Paytas shares one movie for every day in October. Each movie is rated by Fright Factor, Gore, and Body Count, with a wry synopsis so funny it's as entertaining as the movie itself. "Why It's Awesome" and "Why It Sucks" sections quickly bring you up to speed on a flick's best and worst features-with the caveat that it's sometimes the campiest of horror flicks that provide the most fun. After all, some days you want Piper Laurie's chilling portrayal of the religiously crazed mother in Carrie, and sometimes you want a heavily made-up Warrick Davis as a rapping Leprechaun. So lower the lights, grab your favorite movie snacks, and join Paytas and Rendell on their odyssey through abject terror, terrifyingly dark powers, chainsaws, leprechauns, and demons. Just remember, it's not their fault if you can't sleep when it's all over.