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From the author of The Essential Guide to Irish Flute and Tin Whistle, comes 300 Gems of Irish Music for All Instruments. These 300 tunes, selected from among the author's favorites, are notated in a style that makes them accessible to players of fiddle, flute, whistle, accordion, concertina, harp, keyboard, guitar, mandolin, banjo, uilleann pipes - to all melody players.Here you will find some of the most beautiful tunes in the storehouse of Irish music - session standards and rare treasures alike - tunes that will help both the performer and the Irish session participant build a vibrant and varied repertoire.Many of the transcriptions pay homage to recordings by famous Irish musicians and groups such as Matt Molloy (of the Chieftains), Martin Hayes, Sharon Shannon, Mary Bergin, Kevin Burke, James Kelly, Willie Clancy, Altan, the Bothy Band and the Mulcahy Family, as well as to early 20th century recordings from revered Irish masters Michael Coleman, Paddy Killoran, Dennis Murphy, Bobby Casey, Paddy Canny and others.
Grey Larsen, in the 150 Gems collections, has given us a most welcome follow-up to his encyclopedic volume, The Essential Guide to Irish Flute and Tin Whistle (Mel Bay Publications, 2003) and The Essential Tin Whistle Toolbox (Mel Bay Publications, 2004). The Gems feature not only meticulously-selected tunes, but represent the first major offerings that use Larsen's innovative system of notating Irish ornamentation. These books and online audio will help players gain a deeper understanding of the Irish musical tradition as well as provide new material to enhance the experience of the solo player and Irish session participant alike. Includes access to online audio.
Grey Larsen, in the 150 Gems collection, has given us a most welcome follow-up to his encyclopedic volume, The Essential Guide to Irish Flute and Tin Whistle (Mel Bay Publications, 2003) and The Essential Tin Whistle Toolbox (Mel Bay Publications, 2004). The Gems feature not only meticulously-selected tunes, but represent the first major offerings that use Larsen's innovative system of notating Irish ornamentation. This book and online audio will help players gain a deeper understanding of the Irish musical tradition as well as provide new material to enhance the experience of the solo player and Irish session participant alike.
For the beginner to the highly advanced player of Irish flute, tin whistle, or Boehm-system flute. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method, exploring ornamentation techniques never described in print before. Also includes adaptations for Boehm-system flute players, guidance on breathing and phrasing, 49 ornamentation exercises, history and theory of traditional Irish flute and whistle music, and 27 meticulous transcriptions of recordings by these important Irish flute and tin whistle players: John McKenna,Tom Morrison, William Cummins, Séamus Ennis, Willie Clancy, Paddy Taylor, Paddy Carty, Grey Larsen, Josie McDermott, Matt Molloy, Cathal McConnell, Mary Bergin, Donncha Ó Briain (Denis O'Brien), Desi Wilkinson, Breda Smyth, Seán Ryan, Conal Ó Gráda, Micho Russel, Joanie Madden, Kevin Crawford, Catherine McEvoy, and Seamus Egan. for those who don't read music, almost all the exercises, examples and tunes appear on the two companion CDs. Grey has, through his research, patience, and diligence, completed a work on Irish flute and tin whistle that I feel is essential reading for anybody interested in getting it right. - Matt Molloy, Irish Flute player with the Chieftains.
All the tools the beginner, novice, and intermediate tin whistle player needs in order to progress to a high level of competence in Irish music. Includes an Orientation to Traditional Irish Music, which puts the music in context, with information on scales and modes, dance tune types, the historical roots of whistle playing, and advice for learning by ear. the book is full of thorough instruction, exercises, and musical examples: from holding, fingering, breathing, and blowing, on up to advanced ornamentation, phrasing, and variations. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method. Also includes history and theory of traditional Irish tin whistle music. for those who don't read music, almost all the exercises and examples appear on the companion CD.
This is an invaluable resource for anyone interested in Irish mandolin playing. As well as being a complete guide for the absolute beginner, this book also contains a mine of information, useful tips and ideas for the experienced player. the book takes the reader from the basics of the mandolin right through to more advanced topics such as creating variations, emphasis, improvisation, playing with other musicians, practicing effectively and much more. All the tunes and key exercises in the book are included on the accompanying 63 track CD. There is no need to read conventional music notation as all the music is written in easy-to-read mandolin tablature. However, for those interested in learning about music notation there is a handy section on this subject tailored specifically to the mandolinist as well as a chapter on modes.
Here are 34 easy-to-play folk, popular and classical favorites arranged for tin whistle (also known as pennywhistle) or Irish flute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: • Access to online audio for all 34 songs, with tin whistle, Irish flute, piano, and guitar • Three duet arrangements If you don’t read music, you can still use this book! In addition to music notation, there is a specially designed tablature for tin whistle and Irish flute. What makes these tune arrangements easy? • They are played in the lower two octaves of the whistle and flute’s range, ascending no higher than B in the second octave. • They are in easy tin whistle and Irish flute keys, such as: D major, G major, E minor and B minor. No metal keys are needed on the Irish flute. • They use only eight notes: D, E, F#, G, A, B, C and C#. • They are also easy to play on soprano and tenor recorder, modern flute, and piccolo. Grey Larsen is a master musician who performs and teaches internationally. He has played tin whistle and Irish flute since the 1970s and has written nine books, including First Lessons Tin Whistle and the best-seller, The Essential Guide to Irish Flute and Tin Whistle. The author recommends using a tin whistle in D or a standard Irish flute (with or without keys) with this book. You can also use soprano and tenor recorders, modern flute, and piccolo. However, the tablature in this book uses only tin whistle and Irish flute fingerings.
A set of 14 folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts – melody, countermelody, and bass line – as well as chords shown beneath the melody line. In addition to technical tips, there is a video performance of each tune by Moonrakers, played at a steady pace. Suitable for intermediate/advanced players.
Adam Granger self-published the first edition of Granger’s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now, in 2022, Mel Bay Publications presents the third edition of the book now in standard notation. This 248-page book is the most extensive and best-documented collection of fiddle tunes in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles. There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book. The book comes with a link which gives access to MP3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other. Also included in The Granger’s Collection are descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.