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This book has two aims; first, to provide a new account of time's arrow in light of relativity theory; second, to explain how God, being eternal, relates to our world, marked as it is by change and time. In part one, Saudek argues that time is not the expansive universal 'wave' that is appears to be, but nor are we living in an unchanging block. Rather, time is real but local: there are infinitely many arrows of time in the universe, each with their own fixed past and open future. This model is based on the ontology of substances which can exist in different states, marked by different properties. On this basis, a derivation of temporal precedence and of the asymmetry between the fixed past and the open future is provided. Time's arrow is thus 'attached' to substances, and is therefore a local rather than global phenomenon, though by no means an illusory or merely subjective one. In part two, this model is then applied to the perennial questions concerning the relationship between divine eternity and the temporal world: How can my future choices be free if God already knows what I will do? Can God act if He is not in time? Through the lens of relativity theory, such questions are shown to appear in a completely new light. The book combines insights from theoretical physics with ancient and contemporary philosophy into a unique synthesis, broaching a wealth of key issues including the arrow of time, the evolution of the cosmos, and a physics-based defence of eternalism in philosophical theology.
"Veganish" cookbook is part of a series of cookbooks by Author and Chef Ed Harris about his experiences with food in last 20 years.This book is written for anyone who have started the journey of being VEGAN to becoming happier and healthier. It's written to help you develop a deeper understanding of how easy and delicious vegan food can be.
This sumptuously illustrated catalogue charts the history of drawing in Italy from 1400, just prior to the emergence in Florence of the classically inspired naturalism of the Renaissance style, to around 1510 when Michelangelo, Raphael and Titian were on the verge of taking the innovations of earlier masters, such as Leonardo and Pollaiuolo, in a new direction. The book highlights the key role played by drawing in artistic teaching and in how artists studied the human body and the natural world. Aspects of regional difference, the development of new drawing techniques and classes of graphic work, such as finished presentation pieces to impress patrons, are also explored. An extended introduction focusing on how and why artists made drawings, with a special emphasis on the pivotal role of Leonardo, is richly illustrated with examples from the two collections that elucidate the technique and function of the works. This is followed by catalogue entries for just over 100 drawings where discussion of their function and significance is supported by comparative illustrations of related works, such as paintings.