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Tony Koszarek got his start in cartooning by drawing cartoons for the Father Judge High School newspaper, “The Crusader”, then for the LaSalle College weekly, “The Explorer”. He then spent four years in the U. S. Coast Guard in the South Pacific, entertaining shipmates with cartoons and caricatures. Tony married his wife Gerrie in 1972 while living in Philadelphia. Then, in 1979, they moved to Cinnaminson, New Jersey, with their two children, Tony and Michele, where he found an outlet for his talent in the Saint Charles Borromeo Church Bulletin
One of the legends of show biz delves into his personal treasury of jokes ("The most comprehensive storehouse of 20th-century humor in the world"--Los Angeles Magazine) to present the most astounding array of one-liners, anecdotes, quips, and gags ever published. Line drawings.
A lively and reliable narrative account of the horror genre, featuring new and revised material throughout The Horror Film: An Introduction surveys the history, development, and social impact of the genre. Covering American horror cinema from its earliest period to the present, this reader-friendly volume explores the many ways horror movies have been received by filmmakers, critics, and general audiences throughout the decades. Concise, easily accessible chapters describe historical instances of the genre's social reception based on primary research, analyze landmark films such as Frankenstein, Invasion of the Body Snatchers, and The Texas Chain Saw Massacre, and more. Incorporating recent scholarship on the genre, the second edition of The Horror Film contains new discussion and context for Hollywood horror films in the 1980s and 1990s, as well as notable developments in the genre such as “torture porn,” found-footage horror, remakes and reboots of past horror films, zombies, and the “elevated horror” debate. This edition explores the rise of new filmmakers such as Ari Aster, Robert Eggers, and Jordan Peele, surveys horror films made by women and African American filmmakers, and investigates contemporary issues in the production and consumption of horror films. Combining historical narrative with close readings of significant works, The Horror Film: Covers major works in the genre such as Cat People, Halloween, and Bram Stoker's Dracula Examines important antecedents including gothic literature and the Grand Guignol Theater Offers thorough analyses of the style, context, and themes of specific horror milestones Provides examples of close analysis that can be applied to a wide range of other horror films Discusses important representative titles across the genre's evolution, including more recent films such as 2017's Get Out The Horror Film: An Introduction, Second Edition, is an ideal textbook for undergraduate surveys of the horror genre and other courses in American film history, and an invaluable resource for scholars, lecturers, and general readers with an interest in the subject.
Despite America's practical and technological aims, the money spent on film and sports events tends to convey an image of a whimsical nation. This work explores these conflicting images through an analysis of movies, revealing the ties that daily activity and thought have with a world of myth.
The orphan has turned out to be an extraordinarily versatile literary figure. By juxtaposing diverse fictional representations of orphans, this volume sheds light on the development of cultural concepts such as childhood, family, the status of parental legacy, individualism, identity and charity. The first chapter argues that the figure of the orphan was suitable for negotiating a remarkable range of cultural anxieties and discourses in novels from the Victorian period. This is followed by a discussion of both the (rare) examples of novels from the first half of the 20th century in which main characters are orphaned at a young age and Anglophone narratives written from the 1980s onward, when the figure of the orphan proliferated once more. The trope of the picaro, the theme of absence and the problem of parental substitutes are among the issues addressed in contemporary orphan narratives. The book also looks at the orphan motif in three popular fantasy series, namely Rowling’s Harry Potter septology, Pullman’s His Dark Materials trilogy and Martin’s A Song of Ice and Fire series. It then traces the development of the orphan motif from the end of the 19th century to the present in a range of different types of comics, including funnies and gag-a-day strips, superhero comics, underground comix, and autobiographical comics.
In Practically Joking, the first full-length study of the practical joke, Moira Marsh examines the value, artistry, and social significance of this ancient and pervasive form of vernacular expression. Though they are sometimes dismissed as the lowest form of humor, practical jokes come from a lively tradition of expressive play. They can reveal both sophistication and intellectual satisfaction, with the best demanding significant skill and talent not only to conceive but also to execute. Practically Joking establishes the practical joke as a folk art form subject to critical evaluation by both practitioners and audiences, operating under the guidance of local aesthetic and ethical canons. Marsh studies the range of genres that pranks comprise; offers a theoretical look at the reception of practical jokes based on “benign transgression”—a theory that sees humor as playful violation—and uses real-life examples of practical jokes in context to establish the form’s varieties and meanings as an independent genre, as well as its inextricable relationship with a range of folklore forms. Scholars of folklore, humor, and popular culture will find much of interest in Practically Joking.
How American campus life shapes students, and how students shape campus lore
With novels like Ellen Foster and A Virtuous Woman, award-winning writer Kaye Gibbons has gained both critical acclaim and a large, devoted following among readers. This literary companion equips the reader with information about characters, plots, dates, allusions, literary motifs, and themes from the bestselling author's works. After an annotated chronology of Gibbons' life, the work presents 103 A-Z entries that include Snodgrass's analysis, cover the writings of reviewers and critics, and provide selected bibliographies. Appendices offer an historical timeline with references to corresponding historical events from Gibbons' novels, along with a list of 42 topics for group or individual research projects.
This book is the account of an ordinary woman trying to live life with good intentions, and translating those good intentions into action by helping others, in the aftermath of a really traumatic national event - 9/11/01. The primary focus is on Terror and its effects on a personal life, and indeed the life of the nation. Interwoven is a deep concern for fairness and justice, especially as regards children. No book should be complete without "politics!" There is that also. There is a mix of grief, anger and humor (the real elixir of life!)
Updated and even stranger, this new edition boasts more than 400 unique destinations for tourists looking for attractions off the beaten path. Bizarre locations and landmarks include Chainsaw Gordy's Garden of Saws, Smokey Bear's head, the World's Largest Soup Kettle, the Toilet Bowl Parade, and the world's only upside-down White House. This book offers fascinating and little-known historical tidbits and answers burning questions such as Where was Liberace born? What is a hodag, and where do you catch one? Who invented the hamburger? and Will a Polka Hall of Fame ever be built? This is the real guide to Wisconsin, birthplace of the snowmobile, the typewriter, and the ice cream sundae. The address, phone number, hours, cost, directions, and website of each oddity accompany its description.