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Two dozen classic dramas by some of the finest and most famous playwrights of the last hundred years--Anton Chekhov, Noel Coward, Oscar Wilde, Arthur Miller, and A.A. Milne.
Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction
Anglo-Irish writer Lord Dunsany (1878–1957) was a pioneering writer in the genre of fantasy literature and the author of such celebrated works as The Book of Wonder (1912) and The King of Elfland’s Daughter (1924). Over the course of a career that spanned more than five decades, Dunsany wrote thousands of stories, plays, novels, essays, poems, and reviews, and his work was translated into more than a dozen languages. Today, Dunsany’s work is experiencing a renaissance, as many of his earlier works have been reprinted and much attention has been paid to his place in the history of fantasy and supernatural literature. This bibliography is a revision of the landmark volume published in 1993, which first charted the full scope of Dunsany’s writing. This new edition not only brings the bibliography up to date, listing the dozens of new editions of Dunsany’s work that have appeared in the last two decades and the wealth of criticism that has been written about him, but also records many obscure publications in Dunsany’s lifetime that have not been previously known or identified. In all, the bibliography has been expanded by at least thirty percent. Among this new material are dozens of uncollected short stories, newspaper articles, and poems, and many books, essays, and reviews of Dunsany’s work published over the past century. Altogether, this bibliography is the definitive listing of works by and about Dunsany and will be the foundation of Dunsany studies for many years to come.
Since the first edition of The Actor in You was published a quarter-century ago, thousands of students have benefited from Robert Benedetti’s decades of experience educating some of the United States’ finest actors. In this Seventh Edition, Benedetti expresses the fundamental elements of acting in simple language, leading readers through understanding their own bodies and voices, acting technique, and the basics of rehearsals and staging shows. Each step includes exercises to aid students in self-discovery and self-development as they grow from novices into practiced actors.
Countless actors have learned and benefited from The Actor at Work through fifty years and ten editions. Robert Benedetti continues this strong tradition in this Eleventh Edition. Designed for acting courses beyond the introductory level, The Actor at Work takes readers through understanding first their own bodies, voices, and thoughts, then techniques of action, and finally creating fully realized performances. The exercises that accompany each lesson form a program of self-discovery and self-development and are arranged roughly according to a natural acquisition of skills and insights.
(Applause Books). Do you have an idea for a play? A situation or experience from your home or work life? Fantasy? With helpful, clear examples, taken from his own experiences in teaching, directing and playwriting, Milton Polsky shows how to find and shape a dramatic idea and bring it to fruition. In addition to providing many practical exercises, suggestions and tips, he discusses and illustrates with examples from established playwrights "the importance of giving shape to your idea so that what is in your head and heart can be expressed to the fullest." To facilitate this creative process, there are "What if?", "Just for You," "Playwright's Page" sections; diagrams, journal exercises; and for this revised edition, end of chapter "Suggested Activities for the Classroom" (solo and group); addditional appendices, including one on feedback; and over 50 new photos. This invaluable and basic guide to writing plays is ideal for teachers, students, camp counselors, community theatre leaders and for anyone who knows there's a play inside, trying to get out!
All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. This unique format is ideal for acting teachers who want their students to understand each monologue in context. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book also includes the author’s own assessment of each monologue.
A compendium of information on all the main events, individuals, political groupings and issues of the 20th century. It provides a guide to current thinking on important historical topics and personalities within the period, and offers a guide to further reading.