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The 21st Century Italian-English/English-Italian Dictionary is an invaluable reference source for today's students, business people and travelers, providing essential information in an easy-to-use format. It is one of four books in the new 21st Century line of foreign dictionaries, which also includes: French-English/English-French Spanish-English/English-Spanish German-English/English-German The dual format of these dictionaries eliminates the need to use two dictionaries. Students can use The 21st Century Italian-English/English-Italian Dictionary to find the English translation of an unfamiliar Italian word--and to discover the correct way to express a certain English phrase in Italian. Because each entry is listed in both Italian and English, this dictionary is useful for every situation, for business people checking the terms of a contract on an international deal, to foreign exchange students getting settled into a Italian dormitory, and to tourists trying to understand the items on a menu. The 21st Century Italian/English-English/Italian Dictionary provides individual entries in a concise, easy-to-follow format, with clear pronunciation guides and succinct definitions. This is the most up-to-date, reliable Italian to English, English to Italian dictionary on the market, and will be an indispensible tool for every occasion.
This quirky handbook of Italian gestures, first published in 1958 by renowned Milanese artist and graphic designer Bruno Munari, will help the phalange-phobic decipher the unspoken language of gestures--a language not found in any dictionary. Photos.
Eleven great stories in original Italian with vivid, accurate English translations on facing pages, teaching and practice aids, Italian-English vocabulary, more. Boccaccio, Machiavelli, d'Annunzio, Pirandello and Moravia, plus significant works by lesser-knowns.
This anthology highlights the rich range of modern Italian fiction, presenting the first English translations of works by many famous authors. Contents include fables and stories by Italo Calvino, Elsa Morante, Alberto Moravia, and Cesare Pavese; historical fiction by Leonardo Sciascia and Mario Rigoni Stern; and little-known tales by Luigi Pirandello and Carlo Emilio Gadda. No further apparatus or reference is necessary for this self-contained text. Appropriate for high school and college courses as well as for self-study, this volume will prove a fine companion for teachers and intermediate-level students of Italian language and literature as well as readers wishing to brush up on their language skills. Dover (2013) original publication. See every Dover book in print at www.doverpublications.com
Combining scholarly authority with a new awareness of today's communication demands, "Roget's 21st Century Thesaurus" is the simple, reliable way to find the perfect word for your needs. It features as easy-to-use dictionary format plus a revolutionary concept index that arranges words by idea, thus enhancing the user's process of association, and leading scores of additional selections. The inclusion of a wide spectrum of words and phrases with each entry -- from sophisticated choices to completely new vocabulary in the language -- brings the user an exceptional number of alternatives to fit any variation of style and tone. Created by a leading expert in linguists and lexicography with today's communication needs in mind. More word choices than any other thesaurus -- Over 1 million words! Concise definitions for each main entry. A revolutionary concept index -- arranged by idea, it mirrors the way we actually think! No obsolete terms -- all synonyms reflect modern usage.
This dictionary identifies over 6000 British and Irish travellers who toured in Italy in the 18th century. Compiled from the archive accumulted by Sir Brinsley Ford, it provides brief formal biographies of these travellers, their Italian itineries and selective accounts of their experiences.
This collection with parallel texts in Italian and English gives theEnglish-reading audience a sense of the great variety of the presentpoetic scene in Italy with a selection of twenty-one of the mostrepresentative contemporary poets.
A compendium of American proverbs, expressions, slang, colloquialisms; British-US glossary; abbreviations and acronyms and other various odds and ends. Widely used by non-native speakers and translators.
Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.
This collection of essays explores the reception of classics and translation from modern languages as two different, yet synergic, ways of engaging with literary canons and established traditions in 20th-century Italy. These two areas complement each other and equally contribute to shape several kinds of identities: authorial, literary, national and cultural. Foregrounding the transnational aspects of key concepts such as poetics, literary voice, canon and tradition, the book is intended for scholars and students of Italian literature and culture, classical reception and translation studies. With its two shifting focuses, on forms of classical tradition and forms of literary translation, the volume brings to the fore new configurations of 20th-century literature, culture and thought.