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This is the fifth volume of the Spirits of the Border Series covering all hauntings and unsolved mysteries in the State of Texas.
A riveting history and maritime adventure about priceless masterpieces originally destined for Catherine the Great. On October 1771, a merchant ship out of Amsterdam, Vrouw Maria, crashed off the stormy Finnish coast, taking her historic cargo to the depths of the Baltic Sea. The vessel was delivering a dozen Dutch masterpiece paintings to Europe’s most voracious collector: Catherine the Great, Empress of Russia. Among the lost treasures was The Nursery, an oak-paneled triptych by Leiden fine painter Gerrit Dou, Rembrandt’s most brilliant student and Holland’s first international superstar artist. Dou’s triptych was long the most beloved and most coveted painting of the Dutch Golden Age, and its loss in the shipwreck was mourned throughout the art world. Vrouw Maria, meanwhile, became a maritime legend, confounding would-be salvagers for more than two hundred years. In July 1999, a daring Finnish wreck hunter found Vrouw Maria, upright on the sea floor and perfectly preserved. The Tsarina’s Lost Treasure masterfully recounts the fascinating tale of Vrouw Maria—her loss and discovery—weaving together the rise and fall of the artist whose priceless masterpiece was the jewel of the wreckage. Gerald Easter and Mara Vorhees bring to vivid life the personalities that drove (and are still driving) this compelling tale, evoking Robert Massie’s depiction of Russian high politics and culture, Simon Schama’s insights into Dutch Golden Age art and art history, Gary Kinder’s spirit of, danger and adventure on the beguiling Archipelago Sea.
'Lost Cities' examines the search for lost cities and the important artifacts within them that can offer us an extraordinary window on to the past. Part of the Treasure Hunters series, 'Lost Cities' offers a crosscurricular mix of science & technology and history & civilizations, with a fun, dramatic approach. Cities covered in the book include Pompeii, Troy, the desert city of Ubar, and the Inca city of Machu Picchu. The book also looks at the motives for these searches, and the importance of responsible archaeology: were the treasure hunters driven by personal greed or glory, or did they embark on their quest with a historical interest and a desire to preserve the lost treasures?
Presents the story of gold, discussing how it has been valued since ancient times, the different uses it has, where it is found in the world, and some of the stories and legends that have been told about it throughout history.
Eight billion dollars? worth of Inca gold and silver are rumored to be hidden in an unmapped region of the Andes. This is the captivating story of that fabled treasure and the centuries-old spell it has cast on many, including a young American student, Peter Lourie. While completing anthropological fieldwork in Ecuador, Lourie heard the legend of Atahualpa?s ransom. The Incas gathered seven-hundred tons of gold (Sweat of the Sun) and silver (Tears of the Moon) to purchase the freedom of their king, Atahualpa, from Pizarro and his conquistadors. After the Inca ruler?s murder, the treasure vanished into the forsaken Llanganati range of the Andes. Lourie abandoned his graduate school ambitions to search for Atahualpa?s ransom. His quest for clues and his journey into the heart of the Andes is an absorbing and exciting detective story. Lourie?s account is also unforgettable for its revelations about the lives and characters of seasoned treasure hunters, the obsessed few lured by the siren song of legendary gold.
The mysterious loss of a large portion of the treasure of the Incas has never been completely cleared up. By torturing the natives to whom the secret had been entrusted, the Spaniards made two or three discoveries, but there can be little doubt that these finds were only a small proportion of the total amount of the missing hoards, although for years after their occupation of the country the Spaniards spared no pains and hesitated at no cruelty to bring to light the hidden wealth. The story of the boat which put to sea laden with treasure is historical, and it was generally supposed that she was lost in a storm that took place soon after she sailed. It was also morally certain that the Peruvians who left the country when the Spaniards became masters carried off with them a very large amount of treasure into that part of South America lying east of Peru. Legends are current that they founded a great city there, and that their descendants occupy it at the present time. But the forests are so thick, and the Indian tribes so hostile, that the country has never yet been explored, and it may be reserved for some future traveller, possessing the determination of my two heroes, to clear up the mystery of this city as they penetrated that of the lost treasure-ship. It need hardly be said that the state of confusion, misrule, and incessant civil wars which I have described as prevailing in Peru presents a true picture of the country at the period in which this story is laid.
In the seventeenth century, local Jesuits and Franciscans imagined Quito as the "new Rome." It was the site of miracles and home of saintly inhabitants, the origin of crusades into the surrounding wilderness, and the purveyor of civilization to the entire region. By the early twentieth century, elites envisioned the city as the heart of a modern, advanced society—poised at the physical and metaphysical centers of the world. In this original cultural history, Ernesto Capello analyzes the formation of memory, myth, and modernity through the eyes of Quito's diverse populations. By employing Mikhail Bakhtin's concept of chronotopes, Capello views the configuration of time and space in narratives that defined Quito's identity and its place in the world. He explores the proliferation of these imaginings in architecture, museums, monuments, tourism, art, urban planning, literature, religion, indigenous rights, and politics. To Capello, these tropes began to crystallize at the end of the nineteenth century, serving as a tool for distinct groups who laid claim to history for economic or political gain during the upheavals of modernism. As Capello reveals, Quito's society and its stories mutually constituted each other. In the process of both destroying and renewing elements of the past, each chronotope fed and perpetuated itself. Modern Quito thus emerged at the crux of Hispanism and Liberalism, as an independent global society struggling to keep the memory of its colonial and indigenous roots alive.
This funny, action-filled series is perfect for adventure-loving fans of Indiana Jones and James Patterson's Treasure Hunters! Twelve-year-old Addison Cooke just wishes something exciting would happen to him. His aunt and uncle, both world-famous researchers, travel to the ends of the earth searching for hidden treasure, dodging dangerous robbers along the way, while Addison is stuck in school all day. Luckily for Addison, adventure has a way of finding the Cookes. After his uncle unearths the first ancient Incan clue needed to find a vast trove of lost treasure, he is kidnapped by members of a shadowy organization intent on stealing the riches. Addison’s uncle is the bandits’ key to deciphering the ancient clues and looting the treasure . . . unless Addison and his friends can outsmart the kidnappers and crack the code first! Full of laugh-out-loud moments, danger, excitement, and nonstop action, Addison Cooke and the Treasure of the Incas is sure to strike gold with kid readers. "What to give the kid who's read all the Harry Potter and Percy Jackson books? Try Addison Cooke and the Treasure of the Incas." —Parents Magazine "An exciting Indiana Jones-style tale of a seventh-grade boy trying to save his kidnapped aunt and uncle—museum curators who are linked to an ancient key that unlocks riches.” —Good Housekeeping "An exciting, adventurous new read…the first book in a new series that promises laugh-out-loud moments and nonstop action." —Boys’ Life
Thirty-six brief accounts of lost treasures and the circumstances of their disappearance.