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No other book has covered the subject of 20th-century microtonal notation in such depth as this comprehensive guide book. 20th-Century Microtonal Notation surveys the many attempts to notate various microtonal divisions of the octave in our western music. The concerts, festivals, and journals devoted exclusively to microtonal composition evince the widespread interest and involvement in microtonal music today. Activity in the specialized field of microtonalism is also supported by the design and construction of a number of novel instruments capable of producing various fractional pitches in the octave, including the digital synthesizer. However, despite the developing interest and activity, no consensus has yet been reached about the clearest and most logical notation for each degree of microtonal division of the half and whole step. This lack of an essential consensus on a suitable, standardized notation system has, in some cases, hampered the complete integration of microtonalism into western music. Bringing considerable expertise to bear, Read divides the volume into five sections, each addressing the notation of specific microtones. This volume is a comprehensive repository of the many attempts to find a logical notation for all degrees of microtonality. It represents an invaluable resource to anyone interested in studying the history and development of music notation, or in evaluating the many forms of microtonal notation in terms of their potential for contemporary notation. 20th-Century Microtonal Notation will be an important addition to the library collections of colleges and universities and will be of interest to composers, theorists, performers, and musicologists.
A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.
Most of the extended instrumental playing techniques, as well as electroacoustic music in general, are still deprived of a conventional method of notation. In order to facilitate the utilization of these unconventional musical elements, a coherent and consistent notation system is developed in this work. Numerous extended techniques for playing string instruments, wind instruments, percussion instruments, keyboard instruments and vocal techniques are therefore systematically explained and previous methods of notation discussed.
(Meredith Music Resource). This sourcebook was created to aid directors and teachers in finding the information they need and expand their general knowledge. The resources were selected from hundreds of published and on-line sources found in journals, magazines, music company catalogs and publications, numerous websites, doctoral dissertations, graduate theses, encyclopedias, various databases, and a great many books. Information was also solicited from outstanding college/university/school wind band directors and instrumental teachers. The information is arranged in four sections: Section 1 General Resources About Music Section 2 Specific Resources Section 3 Use of Literature Section 4 Library Staffing and Management
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.