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Comprehensive encyclopedia of twentieth century American folk art and artists.
This illustrated guide to American folk artists and their work spans a century of painters from Grandma Moses to Kathy Jakobsen and covers such media as sculpture, pottery, and textile creations.
Today the work of so-called "outsider" artists is receiving unprecedented attention. This major critical appraisal of America's 20th-century self-taught artists coincides with a major 1998 traveling exhibition organized by the Museum of American Folk Art in New York. While some of these artists have received critical recognition, others remain virtually unknown, following their muse regardless. 150 color images.
The biographical section of this resource records 1000 US artists. Other sections contain lists of museums with folk, self-taught and outsider art in their permanent collections; galleries; organisations; publications; exhibitions; educational opportunities; and an annotated bibliography.
A creative handbook for needlepointers introduces twenty colorful projects inspired by objects from the American Folk Art Museum, with needlepoint patterns for a variety of skill levels that are accompanied by photographs of the original folk art piece, detailed instructions, and tips on techniques, thread and canvas selection, and project preparation. 12,500 first printing.
For the new or seasoned collector, this groundbreaking guide reveals how to evaluate contemporary American folk art as well as where to see it, buy it, and what to spend on it. The highly informative text is organized by region and features more than 181 biographies of both new and established artists. Color photos of more than 155 works as well as 44 black-and-white portraits of the artists are included.
A collection of self-taught and outsider art with a European representation of artists.
Offers a collection of essays on the life and work of numerous individual artists. Some of the men and women profiled are well known, while others are important practitioners who have yet to receive the notice they merit. This work is organized by geographical region to help make connections visible.
Produced and circulated outside the elite sphere of fine art, folk art appealed to the middle-class Americans who were eager to express their identities, interests, and social ambitions through these decorative, vernacular objects. This catalogue presents new research on the Colby College Museum of Art's important collection of paintings, sculptures, needleworks, and works on paper by self-trained artists working primarily in the eastern part of the United States during the long nineteenth century. Essays by Seth A. Thayer, Jr., and Elizabeth Finch investigate the formation, evolving interpretation, and intended uses of the American Heritage Collection of Edith Kemper Jetté and Ellerton Marcel Jetté - one of the earliest gifts to enter the Colby Museum and the basis of its folk art collection. A third essay by Tanya Sheehan explores the complex relationship between folk art, fine art, and American visual culture. More than sixty catalogue entries by scholars, curators, and Colby students identify previously unknown makers and subjects, uncover new information about the construction and original contexts of works in the collection, and enlarge our understanding of what these artworks meant for the people who made and displayed them.
This is the most comprehensive study of such varied factors as art historical traditions and influences, the social and economic background that encouraged each of these arts, Norwegian symbolism, traditional costume, and emigration to the United States and its influence on the arts. An informative and practical discussion of Norwegian folk art collections is also included.