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203rd Pennsylvania Volunteers: Southeastern Pennsylvania at War 1864–65 By: Valgene Dunham 203rd Pennsylvania Volunteers is the history of a reserve Civil War regiment that was enlisted from Southeastern Pennsylvania in September 1864. Originally intended to be a special regiment of Sharpshooters, the unit was altered when their commander, General David Birney died before the regiment was completely formed. The author, a retired biologist, introduces the book as a newcomer to Southeastern Pennsylvania who wishes to understand the natural, societal, and cultural characteristics of the region that led young men to enlist so late in a war that was not going well for the Union. Consequently, the book presents the history of the area that involves the influence of early geological formations, Native Americans, various religious movements, and the importance of farming and related industry. In addition, the book includes past military heroes from the area during the Revolutionary and Mexican Wars. The regiment is traced through its training at Camp Cadwalader, near the present Philadelphia airport, and its journey to the front in Virginia. This first book written about this regiment serves to emphasize the importance and flexibility of reserve regiments in the last year of the Civil War and how men from the farm and the city came together in a fighting force. The regiment paid a tremendous price in the Battle of Fort Fisher on the North Carolina coast so far away. The involvement of local groups of men enlisting together is presented in a chapter about the music of the Civil War in which eleven members of the New Holland Band, Lancaster County, joined the 203rd together to make up one half of the regiment’s band. This is the third book the author has written about the Civil War, all started by his receiving his great-great-grandfather’s letters home before he was killed in the Battle of Hatcher’s Run II in the afternoon of February 6, 1865. The author trusts that this book about the men of Southeastern Pennsylvania will stimulate interest about the war and an understanding of how the region prepared those Men in Blue for their heroic efforts in saving the Union.
In the world of historical painting, Don Troiani stands alone, universally acclaimed for the accuracy, drama, and sensitivity of his depictions of America's past. His Civil War paintings and limited edition prints hang in the finest collections in the country and are noted by collectors from around the world. Now, in "Don Troiani's Regiments and Uniforms of the Civil War", the artist turns his brush to one of the most colourful and captivating aspects of Civil War history: the individual units that earned their reputations on the battlefield and the distinctive uniforms they wore. In addition to 130 paintings of battle scenes and individual figures, the book also includes more than 250 full-colour photographs of the uniforms the soldiers wore and the accoutrements they carried. Supporting the illustrations is text by two of the leading military artefact experts. Taken together, it makes for one of the most comprehensive books on Civil War uniforms ever undertaken.
Providing coverage of both battles for Fort Fisher, this book includes a detailed examination of the attack and defence of Fort Anderson. It also features accounts of the defence of the Sugar Loaf Line and of the operations of Federal warships on the Cape Fear River.
Full-color paperback features specific branch of service and type of soldier.
The correspondence in this volume is related to the immediate aftermath of his impeachment.
Tells the stories of 50 Union colonels court-martialed for offenses such as drunkenness, insulting superiors, hiding during battles, and chloroform addiction. These stories, along with statistical exploration of 22,000 other courts-martial, provide a pioneering and amusing study of Civil War misbehavior and clarify the dynamics between soldiers and their superiors. Includes bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
During the Civil War, a Union colonel was five times more likely to be court-martialed than a private. Worse, courts-martial of all ranks increased by 400 percent in the winter months. Among the court-martialed transgressors presented in this volume are an officer nicknamed ?Stumpy? because he tended to hide behind tree stumps during combat and a man tried for calling his superior a ?miserable reptile.? The gallery of offenders also includes a Vermont colonel who became a chloroform addict and a New York colonel who rode his horse into a barroom, ordered a brandy for himself and one for his horse, then fired his pistol through the ceiling. The stories of fifty misdeeds, along with a statistical exploration of twenty-two thousand other courts-martial, provide a pioneering study of the little-known world of Civil War misbehavior and clarify the often-bewildering dynamics between volunteer soldiers and their professional superiors.
As divisive and destructive as the Civil War was, the era nevertheless demonstrated the power that music could play in American culture. Popular songs roused passion on both sides of the Mason-Dixon line, and military bands played music to entertain infantry units-and to rally them on to war. The institution of slavery was debated in songs of the day, ranging from abolitionist anthems to racist minstrel shows. Across the larger cultural backdrop, the growth of music publishing led to a flourishing of urban concert music, while folk music became indelibly linked with American populism. This volume, one of the first in the American History through Music series, presents narrative chapters that recount the many vibrant roles of music during this troubled period of American history. A chapter of biographical entries, a dictionary of Civil War era music, and a subject index offer useful reference tools. The American History through Music series examines the many different styles of music that have played a significant part in our nation's history. While volumes in this series show the multifaceted roles of music in culture, they also use music as a lens through which readers may study American social history. The authors present in-depth analysis of American musical genres, significant musicians, technological innovations, and the many connections between music and the realms of art, politics, and daily life. Chapters present accessible narratives on music and its cultural resonations, music theory and technique is broken down for the lay reader, and each volume presents a chapter of alphabetically arranged entries on significant people and terms.