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THE MOST TRUSTED GUIDE TO SONGWRITING SUCCESS For 34 years, Songwriter's Market has provided the most complete and up-to-date information songwriters need to place their songs with music publishers, record companies, record producers, managers & booking agents, music firms, and more.In the 2011 Songwriter's Market, you'll find: • Hundreds of songwriting placement opportunities, including how each market is different from the next and how to find success. • Interviews with songwriting legends, such as Mark Mothersbaugh (Devo) and Even Stevens, who's written for everyone from Kenny Rogers to Martina McBride. • Power-packed articles on taking charge of your career, including how to navigate social media sites and find alternative routes to songwriting success. • Plus, the basic nuts and bolts of the songwriting business are explained, including how to submit songs, the proper way to handle Copyright, how to identify scams, negotiating contracts, what royalties are (and how to get them), and more. • Listings for songwriting organizations, conferences, workshops, retreats, colonies, and contests. Take charge of your songwriting career today with the 2011 Songwriter's Market.
Author Jennifer MacKay focuses on songwriting from a craft standpoint. Because the lyrics themselves are only one part of songwriting, she also covers melody, tempo, and rhythm, and explains how this can differ between genres. A few key influential singers and songwriters are discussed along with the general craft.
Simple techniques for creating catchy lyrics and memorable melodies! Nearly everyone can hum the melody or remember the words to a hit song. Clever word play, catchy melodies, and thoughtful imagery can create an impression that lasts long after a song has ended. The Everything Songwriting Book provides amateurs and seasoned professionals alike all they need to create, perform, and sell hit songs. Learn how to develop an idea, formulate a rhyme scheme, incorporate unique phrasing, and follow through to the final note. Professional songwriter and consultant C.J. Watson packs this book with clever tips and tricks for overcoming writer's block, creating a "hook," and recording and selling a song to a recording company or performer. This user-friendly guide also shows how to: Tap into the common elements of hit songs Incorporate instruments into songwriting Understand music theory Spot songwriting trends and write for a specific market Produce a song Know essential copyright law and other legal basics Get compositions into the right hands Complete with expert advice and practical pointers, The Everything Songwriting Book is sure to guide and inspire burgeoning songwriters at any level.
The Most Trusted Guide to Songwriting Success For 35 years, Songwriter’s Market has provided the most complete and up-to-date information songwriters need to place their songs with music publishers, record companies, record producers, managers, booking agents, music firms and more. In the 2012 edition you also gain access to: • Hundreds of songwriting placement opportunities • Power-packed articles on taking charge of your career—including how to navigate the constantly evolving world of social media and discover alternative routes to songwriting success • Listings for songwriting organizations, conferences, workshops, retreats, colonies, contests, and venues (a brand new addition to the listings; a helpful tool for indie artists booking their own tours) Take charge of your songwriting career today with the 2012 Songwriter’s Market. Includes an exclusive 60-minute FREE WEBINAR with music licensing expert Sarah Gavigan that will teach you how to find new placements for your music "Songwriter’s Market is a valuable resource for songwriters, especially those living away from traditional music centers. It’s stuffed full of useful information." —Pat Pattison, author of Songwriting Without Boundaries and Writing Better Lyrics "Learn how to create buzz as an artist. This is an excellent resource to determine the kind of entrance you want to make into the world of singer-songwriters." —Amy Stroup, indie artist, The Other Side of Love Sessions
To make money, song-writers need a firm, realistic grasp of how songs generate income. This volume demystifies the process of doing business as a songwriter. It walks the reader step-by-step through the process of starting and operating a publishing company, teaches how to pitch songs to publishers, and more.
Songwriter's Market is the go-to source for songwriters and performing artists who seek career advice and up-to-date information for placing their songs with music publishers, discovering record companies or producers, securing representation with a manager, and much more. With insights from a variety of industry experts and both career and up-and-coming songwriters, this edition features the firsthand and insider knowledge songwriters need to launch their career. You gain access to: • Interviews with veterans like Phil Cody, Chip Taylor, and Marc Jordan and rising stars like Simon Wilcox, Francesco Yates, and the Grammy-nominated Erik Blu2th Griggs. • Articles on breaking into Nashville, using Twitter to market yourself as a songwriter, and crowdfunding. • Hundreds of songwriting-placement opportunities. • Listings for songwriting organizations, conferences, workshops, retreats, colonies, contests, venues, and grant sources. + Includes exclusive access to the video "Pat Pattison Masterclass: Rhythm and Form" "Songwriter's Market is the indispensable tool you need to build your songwriting career. From the secrets of hit songwriting craft to an unequaled collection of pitching resources for your final recordings, this book delivers it all." --Robin Frederick, writer and producer of more than 500 songs for television, records, and audio products, and author of top-selling songwriting books
The study of musical composition has been marked by a didactic, technique-based approach, focusing on the understanding of musical language and grammar -harmony, counterpoint, orchestration and arrangement - or on generic and stylistic categories. In the field of the psychology of music, the study of musical composition, even in the twenty-first century, remains a poor cousin to the literature which relates to musical perception, music performance, musical preferences, musical memory and so on. Our understanding of the compositional process has, in the main, been informed by anecdotal after-the-event accounts or post hoc analyses of composition. The Act of Musical Composition: Studies in the Creative Process presents the first coherent exploration around this unique aspect of human creative activity. The central threads, or key themes - compositional process, creative thinking and problem-solving - are integrated by the combination of theoretical understandings of creativity with innovative empirical work.
Music is a universal language, and John Braheny speaks it eloquently as he helps prepare us for our big musical break--by teaching us the craft of songwriting and revealing secrets of the music business. Includes anecdotes, exercises, and examples from dozens of songwriters, such as Harry Chapin, Paul McCartney, and many others.
Songs, pervasive sonic ephemeral acts that combine words and music, live in a contemporary world of commercialization as commodity. Flowing through our everyday lives as a given and oft-underacknowledged artifact to accompany our shopping, car trips, date nights, and gym days. Yet songs have a history as long as humanity and language. They hold a place, up until recently in our evolution, as an oral history library of the human species. Why then is there limited scholarship about how songs tell stories, and the ways in which those stories come together with sounds? And why is there a disconnect between songwriting as industrial practice and academic thought? A New Philosophy of Songwriting argues that all songwriting choices are storytelling choices and asks the question: how can we think about Song as one of the most memorable, potent, multimodal, and portable storytelling devices ever devised? In doing so, Andy Ward and Briony Luttrell make the case for rethinking the analysis of songs and practice of songwriting with an emphasis on listening. This is a book for songwriters, scholars, and song lovers alike. Ultimately, the authors challenge contemporary thinking on music and song itself and argue for a new theorisation of song as a multimodal storytelling sonic act.