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The Standard Catalog of Ford delivers all the details you need to enjoy your hobby and love your Ford. Inside, you'll find information about all of the legendary Fords built from 1903-2002...Mustangs, Thunderbirds, the Model T and A, Falcons, Fairlanes, Skyliners, and more. This fact-filled book provides collector-market values for Fords made during 1903-2002. It also gives Ford collectors the data they need to identify, buy, restore, and invest in collectable Fords, including: • a current market price guide showing values in Old Cars Report Price Guide's comprehensive 1 to 6 grading scale; • complete year-by-year model listings with history and technical details; • thousands of photos for easy model identification; • and option lists, engine information, original pricing, and production information.
The Wildland Fire Incident Management Field Guide is a revision of what used to be called the Fireline Handbook, PMS 410-1. This guide has been renamed because, over time, the original purpose of the Fireline Handbook had been replaced by the Incident Response Pocket Guide, PMS 461. As a result, this new guide is aimed at a different audience, and it was felt a new name was in order.
"Jeff Wall is one of the most highly regarded artists at work in the world today and has played a key role in establishing photography as a contemporary art form. Jeff Wall: Photographs 1978-2004 has been developed in close collaboration with the artist and accompanies a major retrospective exhibition at Tate Modern, London. Featuring Wall's best known works, the large-scale carefully staged scenes presented as illuminated lightboxes, as well as black-and-white photographs, the book includes an insightful essay by Sheena Wagstaff. In it she examines the impact of art history and cinema on Wall's practice, revealing how he combines documentary techniques with meticulous staging and digital collage to realise his extraordinary vision."--BOOK JACKET.
For those who eagerly awaited its periodic appearance, it was more than a publication: it was a way of life. The Whole Earth Catalog billed itself as "Access to Tools," and it grew from a Bay Area blip to a national phenomenon catering to hippies, do-it-yourselfers, and anyone interested in self-sufficiency independent of mainstream America. In recovering the history of the Catalog's unique brand of environmentalism, Andrew Kirk recounts how San Francisco's Stewart Brand and his counterculture cohorts in the Point Foundation promoted a philosophy of pragmatic environmentalism that celebrated technological achievement, human ingenuity, and sustainable living. By piecing together the social, cultural, material, environmental, and technological history of that philosophy's incarnation in the Catalog, Kirk reveals the driving forces behind it, tells the story of the appropriate technology movement it espoused, and assesses its fate. This book takes a fresh look at the many individuals and organizations who worked in the 1950s, 1960s, and 1970s to construct this philosophy of pragmatic environmentalism. At a time when many of these ideas were seen as heretical to a predominantly wilderness-based movement, Whole Earth became a critical forum for environmental alternatives and a model for how complicated ecological ideas could be presented in a hopeful and even humorous way. It also enabled later environmental advocates like Al Gore to explain our current "inconvenient truth," and the actions of Brand's Point Foundation demonstrated that the epistemology of Whole Earth could be put into action in meaningful ways that might foster an environmental optimism distinctly different from the jeremiads that became the stock in trade of American environmentalism. Kirk shows us that Whole Earth was more than a mere counterculture fad. In an era of political protest, it suggested that staying home and modifying your toilet or installing a solar collector could make a more significant contribution than taking to the streets to shout down establishment misdeeds. Given its visible legacy in the current views of Al Gore and others, the subtle environmental heresies of Whole Earth continue to resonate today, which makes Kirk's lucid and lively tale an extremely timely one as well.
Prince's upstate New York" Second House" makes a home, literally, for the increasingly physical work of an artist once best known for his studio photographs of magazines. "The Second House" documents his ranch-style gallery, the long grass around it, and the 1973 Plymouth Barracuda parked in the yard, and commemorates the Guggenheim's purchase of the site, which they pledge to open to the public for ten years.
Omega was entrusted with timekeeping at the Los Angeles Olympic Games in 1932 and has since been the official timekeeper at 22 Olympics. That association has led to more than half a century of pioneering developments in timers and watches, from the first water-resistant photoelectric cell to the first photo-finish camera (an innovation that resolved the problem of group finishes in track events), and contact pads inside the pool at swimming competitions. They have continued to innovate, most recently with real time results online, available as soon as a swimmer hits the pool wall at the end of a lap. Yet it is the most tangible, touchable, wearable results of all this that brings Omega watches from the workplaces of athletes (including Michelle Wie and Michael Phelps) into the homes of design aficionados. John Goldberger, the editor of Omega Watches and Longines Watches here presents more than 50 years of rare and beautiful sport designs from the Omega line.