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This absolutely vital resource created specifically for fiction writers lists 2000+ fiction publishers, including many prestigious non-paying markets not listed in Writer's Market.
A guide to over 1,000 music publishers, record companies, producers, booking agents, and more!
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
A guide for the freelance writer, listing pertinent information about publications and editors.
Simple techniques for creating catchy lyrics and memorable melodies! Nearly everyone can hum the melody or remember the words to a hit song. Clever word play, catchy melodies, and thoughtful imagery can create an impression that lasts long after a song has ended. The Everything Songwriting Book provides amateurs and seasoned professionals alike all they need to create, perform, and sell hit songs. Learn how to develop an idea, formulate a rhyme scheme, incorporate unique phrasing, and follow through to the final note. Professional songwriter and consultant C.J. Watson packs this book with clever tips and tricks for overcoming writer's block, creating a "hook," and recording and selling a song to a recording company or performer. This user-friendly guide also shows how to: Tap into the common elements of hit songs Incorporate instruments into songwriting Understand music theory Spot songwriting trends and write for a specific market Produce a song Know essential copyright law and other legal basics Get compositions into the right hands Complete with expert advice and practical pointers, The Everything Songwriting Book is sure to guide and inspire burgeoning songwriters at any level.
This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled ‘The Real Thing’: Authenticity, covers and the canon and ‘Time Will Pass You By’: Histories and popular memory new case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swift further examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Music expanded coverage on the importance of the back catalogue and the box set; reality television and the music biopic greater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming services each chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.
For more than a quarter of a century, Pat Schneider has helped writers find and liberate their true voices. She has taught all kinds--the award winning, the struggling, and those who have been silenced by poverty and hardship. Her innovative methods have worked in classrooms from elementary to graduate level, in jail cells and public housing projects, in convents and seminaries, in youth at-risk programs, and with groups of the terminally ill. Now, in Writing Alone and with Others, Schneider's acclaimed methods are available in a single, well-organized, and highly readable volume. The first part of the book guides the reader through the perils of the solitary writing life: fear, writer's block, and the bad habits of the internal critic. In the second section, Schneider describes the Amherst Writers and Artists workshop method, widely used across the U.S. and abroad. Chapters on fiction and poetry address matters of technique and point to further resources, while more than a hundred writing exercises offer specific ways to jumpstart the blocked and stretch the rut-stuck. Schneider's innovative teaching method will refresh the experienced writer and encourage the beginner. Her book is the essential owner's manual for the writer's voice.