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Childhood. Think about the meaning of this word for us today as we near the end of the 20th century: a time to grow, a time to play, a time to learn, an idyllic time. Did the notion of childhood elicit the same thoughts for people in 18th- and 19th-century America? Indeed, was there even such a concept as childhood then, or is it instead a 20th-century invention that we have come to take for granted? These are difficult questions, in part because there never has been one universal understanding of childhood. How earlier generations viewed life s first stage depended on such factors as where they lived, their occupations, and their legal status as free, indentured, or enslaved Americans. One s experience and memories of childhood would have differed widely. A child working on the family farm in New England, the daughter of wealthy Philadelphians attending needlework school, or an enslaved African girl serving as a house maid in Virginia all surely experienced childhood very differently. KIDS! explores the many ways in which adults shaped the world of children in America between 1700 and 1900. It looks closely at the furniture, the books, the clothing, the toys, and the games used by and created for children, and it tells stories about growing up in early America. Above all, it invites readers to learn through history. Using objects and the stories that surround them, KIDS! puts us in touch with the past and, in so doing, moves us closer to understanding the present."
A visual celebration of Brooks Brothers’ remarkable heritage and how its iconic clothing has been worn and revered by cultural figures, fashionable rule breakers, and pop-culture icons. Since 1818, Brooks Brothers, America’s oldest clothing brand, has grown into a global sartorial institution that has influenced American style through its iconic fashions, which conjure intimate memories of pivotal life events—from your first navy blazer as a child to stepping into a bespoke suit on your wedding day. On the eve of its two-hundredth anniversary, Brooks Brothers remains synonymous with timeless style, the finest quality, and innovative designs that resonate with both old and new generations. This richly illustrated book is replete with photographs of the signature heritage pieces, from the Original Polo® button-down oxford, gray flannel suit, and Rep ties to the camel overcoat, and features an unparalleled roster of high-profile political and cultural icons who have worn and made these pieces their own: from Abraham Lincoln and John F. Kennedy to Madonna, Lady Gaga, Grace Kelly, Katharine Hepburn, Miles Davis, and Andy Warhol, as well as TV and film stars in Glee, Gossip Girl, Mad Men, and Baz Luhrmann’s The Great Gatsby. The text comprises interviews and personal anecdotes from the retailer’s loyal clientele—fashion designers, writers, and celebrities—each sharing treasured memories and connections to Brooks Brothers. This dazzling volume invites readers to delve into the world of Brooks Brothers, providing insight into the people, places, and historical moments that have shaped and provoked the innovative yet timeless American institution, and is a must for those interested in fashion and American style.
Introduction: Play -- Childhood and play in colonial America -- Domesticating children, 1800-1850 -- The arrival of toys, 1850-1900 -- The invasion of children's play culture, 1900-1950 -- The golden age, 1900-1950 -- The commercialization of children's play, 1950 to the present -- Children's play goes underground, 1950 to the present -- Conclusion
This book is a companion to an exhibition on display June 19, 1999, to February 19, 2001, Winterthur Museum, Garden & Library, Winterthur, Delaware. The text, pictures and activity pages are organized around various themes: What Is Childhood?; Children in the Home; Learning for Life; Playtime; 200 Years of Childhood. The book concludes with a Special Section on ¿KiDS! Activities.¿ Illustrations.
The cult classic from the godfather of Cuban science fiction, Agustín de Rojas’s The Year 200 is both a visionary sci-fi masterwork and a bold political parable about the perils of state power. Centuries have passed since the Communist Federation defeated the capitalist Empire, but humanity is still divided. A vast artificial-intelligence network, a psychiatric bureaucracy, and a tiny egalitarian council oversee civil affairs and quash “abnormal” attitudes such as romantic love. Disillusioned civilians renounce the new society and either forego technology to live as “primitives” or enhance their brains with cybernetic implants to become “cybos.” When the Empire returns and takes over the minds of unsuspecting citizens in a scenario that terrifyingly recalls Invasion of the Body Snatchers, the world’s fate falls into the hands of two brave women. Originally published in 1990, just after the fall of the Berlin Wall and before the onset of Cuba's devastating Special Period, Agustín de Rojas’s magnum opus brings contemporary trajectories to their logical extremes and boldly asks, “What does ‘the greatest good for the greatest number’ really mean?”