Download Free 20 Haunting Tales Of Mystery Macabre Ghost Stories Of An Antiquary Volume 12 A Thin Ghost The Story Of A Disappearance And An Appearance The Residence At Whitminster Book in PDF and EPUB Free Download. You can read online 20 Haunting Tales Of Mystery Macabre Ghost Stories Of An Antiquary Volume 12 A Thin Ghost The Story Of A Disappearance And An Appearance The Residence At Whitminster and write the review.

This carefully crafted ebook: “20 HAUNTING TALES OF MYSTERY & MACABRE: Ghost Stories of an Antiquary - Volume 1&2, A Thin Ghost, The Story of a Disappearance and an Appearance, The Residence at Whitminster…” is formatted for your eReader with a functional and detailed table of contents. M. R. James (1862-1936) redefined the ghost story for the new century by abandoning many of the formal Gothic clichés of his predecessors and using more realistic contemporary settings. However, James's protagonists and plots tend to reflect his own antiquarian interests. Accordingly, he is known as the originator of the "antiquarian ghost story". He was was a medievalist scholar and provost of King's College, Cambridge (1905–18), and of Eton College (1918–36). Though James's work as a medievalist is still highly regarded, he is best remembered for his ghost stories, which are regarded as among the best in the genre. Table of Contents: Ghost Stories of an Antiquary: Canon Alberic's Scrap-Book Lost Hearts The Mezzotint The Ash-Tree Number 13 Count Magnus 'Oh, Whistle, and I'll Come to You, My Lad' The Treasure of Abbot Thomas Ghost Stories of an Antiquary Part 2: More Ghost Stories: A School Story The Rose Garden The Tractate Middoth Casting the Runes The Stalls of Barchester Cathedral Martin's Close Mr Humphreys and His Inheritance A Thin Ghost and Others: The Residence at Whitminster The Diary of Mr. Poynter An Episode of Cathedral History The Story of a Disappearance and an Appearance Two Doctors
Are you the type who loves nothing more than curling up with a book of ghost stories? If so, be sure to add A Thin Ghost and Others to your must-read list. A gem from the golden age of Gothic horror, these spine-tingling tales will satisfy your craving for ghoulishly top-notch fiction.
Exploring the complex relationship between aesthetic experience and personal identity in Larkin's work, this book gives close and original readings of three major poems ('Here', 'Livings' and 'Aubade'), and two neglected but important themes (Larkin and the supernatural, Larkin and Flaubert).
Bringing together eight previously published essays by M. W. Rowe and a substantial new study of Larkin, this book emphasizes the profound affinities between philosophy and literature. Ranging over Plato, Shakespeare, Goethe, Arnold and Wittgenstein, the first five essays explore an anti-theoretical conception of philosophy. This sees the subject as less concerned with abstract arguments that result in theories, than with prompts intended to induce clarity of vision and psychical harmony. On this understanding, philosophy looks more like literature than logic. Conversely, the last four essays argue that literature is centrally concerned with truth and abstract thought, and that literature is therefore a more cognitive and philosophical enterprise than is commonly supposed.
Richard Henry Malden (1879--1951), Vicar of Headingley, Leeds, and later, and until the end of his life, Dean of Wells Cathedral, knew M. R. James for more than thirty years, and greatly admired his friend's ghost stories. The stories in NINE GHOSTS, Malden's only collection of supernatural fiction, were intended as a tribute to James's memory. In the years that have elapsed since the book's first publication, however, Malden has emerged as more than merely an imitator of James's style, and is now regarded as one of the finest ghost story writers of the last century.
'Still as the night was, the mysterious population of the distant moonlit woods was not yet lulled to rest' The aim of a good ghost story is to make the blood freeze, pleasurably, and this M. R. James achieves to perfection in these wonderful stories. His most atmospheric settings include English country houses and gardens, the north end of the churchyard, the yew-maze in 'Mr Humphreys and his Inheritance' and the unforgettable train journey in 'Casting the Runes'. To each of these stories he brings an eye for the telling detail, an imaginative twist and a narrative tone that is, at least to begin with, urbane and reassuring ... The Penguin English Library - collectable general readers' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.
From 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Path que, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi
Maeve Brennan had a close friendship with Philip Larkin, as well as working with him for a number of years. In this book, she provides new insight into the poet's complex personality, overturning the perceived image of him as a misanthrope.
Drawing on the papers deposited after his death in the Brynmore Jones Library, Hull, this volume collects together virtually all of Philip Larkin's remaining unpublished fiction.