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In 1979, 2 Tone Records was founded by Jerry Dammers, the founder and keyboard player in The Special AKA. He had a vision and wanted to create the British version of Motown, the similarities with his hometown of Coventry were already there. He'd already put his own band of black and white musicians together and they hit the charts with the release of Gangsters in 1979. 2 Tone then went on to sign and release records by other bands, Madness, The Selecter and The Beat, all of whom fused punk, ska and reggae and dragged it into the present. The record label had no fewer than 15 Top 40 singles and they continued the trend, signing The Swinging Cats, Rico and even released a single by Elvis Costello & The Attractions, or did they?As time moved on, the label branched out to accommodate the funk era and signed a number of non-ska bands with The Higsons, The Apollinaires, The Friday Club and JB's Allstars all releasing singles on the label in the 1980s. However, 2 Tone's light had faded and by 1986 it had been closed down permanently. The story of these particular bands has never been covered in great detail in print before, until now! 2 Tone: Before, During & After tells the story, before, during & after of each band that appeared on the label and also updates the story on each member with a full Where Are They Now? section, covering every single musician that ever appeared on the label. FEEDBACK SO FAR... "The story of 2 Tone Records is the stuff of legends, and in 2 Tone: Before, During & After, author Lee Morris tells the surprising stories behind every 2 Tone release. The 200-page mini-encyclopedia provides band bios, discographies and where-are-they-now profiles on every musician who ever appeared on the label. Based on primary source research (see the extensive bibliography) and personal interviews, the book is packed with things you didn't know about the label, the records and the musicians behind it all" Charles Benoit, Reggae Steady Ska "Lee Morris makes his mark with a fine book that documents all artists that appeared on the label, rather than just the more famous 'ska' bands. He also continues the post 2 Tone story of all bands involved and provides information on each person ever to appear on the label. 2020 has been a great year for 2 Tone with some important reissues on the label and this book compliments those releases and will no doubt become an essential purchase of fans of the label". 2-Tone.info "A Must read for all 2 Tone fans" - Do The Dog Skazine. "I appreciate the angle of covering beyond the well tread period of the label's run to the later acts (who deserve more love) and up to today" Kevin Feinberg "Excellent and very thorough" - Charlie Higson "I HIGHLY recommend it, a brilliantly researched analysis of 2 Tone Records" John Barrow
Born in 1953 to Anglo-Jewish/Nigerian parents, Pauline Black was subsequently adopted by a white, working class family in Romford. Never quite at home there, she escaped her small town background and discovered a different way of life - making music. Lead singer for platinum-selling band The Selecter, Pauline Black was the Queen of British Ska. The only woman in a movement dominated by men, she toured with The Specials, Madness, Dexy's Midnight Runners when they were at the top of the charts - and, sometimes, on their worst behaviour. From childhood to fame, from singing to acting and broadcasting, from adoption to her recent search for her birth parents, Black By Design is a funny and enlightening story of music, race, family and roots.
'Fascinating . . . a must-read' Mojo As bass player with the Specials, in his second-hand suit and pork pie hat, Horace Panter was a member of one of the most innovative and exciting bands to come snarling out of the punk era. Founded by Jerry Damners, their fusion of punk, reggae and ska created a new musical fashion, spearheaded by their own record label Two Tone. They stood for unity and racial harmony in a polarised society. They even got British men dancing again. In Ska'd for Life Horace takes the reader on a musical odyssey with the Specials from their early days on Coventry's punk circuit to chart storming success with singles like 'Too Much Too Young' and the eerily prescient 'Ghost Town', released as the race riots saw Toxteth and Brixton go up in flames. Written with wry humour, taking an affectionate look at a band whose sublime music remains influential today, this is a must for all Specials fans. 'I found myself laughing out loud whilst revisiting some long forgotten memories . . . It was a fantastic journey and I thank Horace for sharing it' Lynval Golding
New Foreword by Irvine Welsh. In Before We Was We Madness tell us how they became them. A story of seven originals, whose collective graft, energy and talent took them from the sweaty depths of the Hope and Anchor's basement to the Top of the Pops studio. In their own words they each look back on shared adventures. Playing music together, riding freight trains, spraying graffiti and stealing records. Walking in one another's footsteps by day and rising up through the city's exploding pub music scene by night. Before We Was We is irreverent, funny and full of character. Just like them.
Before Bob Marley brought reggae to the world, before Jimmy Cliff and Peter Tosh, before thousands of musicians played a Jamaican rhythm, there were the men and women who created ska music, a blend of jazz, American rhythm and blues, and the indigenous music of the Caribbean. This book tells the story of ska music and its development from Jamaica to England, where the music took on a distinctively different tone, and finally to the rest of the world. Through the words of legendary artists, gleaned from more than a decade of interviews, the story of ska music is finally told by those who were there.
Walls Come Tumbling Down charts the pivotal period between 1976 and 1992 that saw politics and pop music come together for the first time in Britain's musical history; musicians and their fans suddenly became instigators of social change, and 'the political persuasion of musicians was as important as the songs they sang'. Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel follows the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone, and Red Wedge, revealing how they all shaped, and were shaped by, the music of a generation. Composed of interviews with over a hundred and fifty of the key players at the time, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain's history.
The culmination of three years of exhaustive research, this text compellingly recounts how a monochrome and embattled Britain was re-energised and coloured by two tone and its legacy.
In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Hell of a Hat dives deep into this unique musical moment. Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary. An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.
Chrissie Hynde, for nearly four decades the singer/songwriter/ undisputed leader of the Pretenders, is a justly legendary figure. Few other rock stars have managed to combine her swagger, sexiness, stage presence, knack for putting words to music, gorgeous voice and just all-around kick-assedness into such a potent and alluring package. From “Tatooed Love Boys” and “Brass in Pocket” to “Talk of the Town” and “Back on the Chain Gang,” her signature songs project a unique mixture of toughness and vulnerability that millions of men and women have related to. A kind of one- woman secret tunnel linking punk and new wave to classic guitar rock, she is one of the great luminaries in rock history. Now, in her no-holds-barred memoir Reckless, Chrissie Hynde tells, with all the fearless candor, sharp humor and depth of feeling we’ve come to expect, exactly where she came from and what her crooked, winding path to stardom entailed. Her All-American upbringing in Akron, Ohio, a child of postwar power and prosperity. Her soul capture, along with tens of millions of her generation, by the gods of sixties rock who came through Cleveland—Mitch Ryder, David Bowie, Jeff Back, Paul Butterfield and Iggy Pop among them. Her shocked witness in 1970 to the horrific shooting of student antiwar protestors at Kent State. Her weakness for the sorts of men she calls “the heavy bikers” and “the get-down boys.” Her flight from Ohio to London in 1973 essentially to escape the former and pursue the latter. Her scuffling years as a brash reviewer for New Musical Express, shop girl at the Malcolm McLaren and Vivienne Westwood boutique 'Craft Must Wear Clothes But The Truth Loves To Go Naked', first-hand witness to the birth of the punk movement, and serial band aspirant. And then ,at almost the last possible moment, her meeting of the three musicians who comprised the original line-up of The Pretenders, their work on the indelible first album “The Pretenders,” and the rocket ride to “Instant” stardom, with all the disorientation and hazards that involved. The it all comes crashing back down to earth with the deaths of lead guitarist James Honeyman Scott and bassist Peter Farndon, leaving her bruised and saddened, but far from beaten. Because Chrissie Hynde is, among other things, one of rock’s great survivors. We are lucky to be living in a golden age of great rock memoirs. In the aptly titled Reckless, Chrissie Hynde has given us one of the very best we have. Her mesmerizing presence radiates from every line and page of this book.