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"Covering the Northern, Central and Southern Plains, as well as the Plateau, this comprehensive craft guide shows how to recreate both the cloth and hide dresses of the 19th century, as well as the accessories worn with them. Using original texts and other period source material, the author discusses the historical background and tribal styles in vogue from the time of Lewis and Clark to the beginning of the reservation period. Lavishly illustrated with drawings by Alex Koslov and many fine, full color photos of some of the most exquisite original examples from world collections ..."--P. [4] of cover.
This beautiful book presents a fascinating array of complete women's and girls' outfits dating from the 1830s to the present, including dresses, shawls, shoes, belts, bags, fans, and hair accessories. Also included is historical and contemporary background information on Native life and Native women and their dress. To accompany a major exhibit of the same name at the NMAI in March 2007.
A collection of photographs from museums, collectors and private dealers that documents five centuries of Native American artistry.
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.
Featuring 155 color photographs and illustrations, Native American Weapons surveys weapons made and used by American Indians north of present-day Mexico from prehistoric times to the late nineteenth century, when European weapons were in common use. Colin F. Taylor describes the weapons and their roles in tribal culture, economy and political systems. He categorizes the weapons according to their function - from striking, cutting and piercing weapons, to those with defensive and even symbolic properties - and he documents the ingenuity of the people who crafted them.
A handicraft guide to American Indian beadwork for those seeking the fundamentals of construction and ideas of design—fully illustrated throughout. American Indian Beadwork includes: -Directions for beading stitches -Directions for making and stringing a loom -Fifty-four black-and-white photographs of actual Indian beadwork -Thirteen full-color pages of 132 authentic Indian patterns for your own beadwork
Learn what men, women, and children have worn—and why—in American history, beginning with the classical styles worn in the early American republic through the hoop skirts and ready-made clothes worn before the Civil War. Authors Ann Buermann Wass and Michelle Webb Fandrich provide information on fabrics, materials, and manufacturing; a discussion of levels of society, daily life, and dress; and the types of clothes worn by men, women, and children, including American Indians and enslaved people. The authors have painstakingly researched such primary sources as diaries, letters, and wills of the people of the time, in addition to secondary resources. Just a few of the topics include: • The constant problems of getting fabrics, such as wool, or cotton, in the late eighteenth centuries • The types of clothes that slave men, women, and children were allowed to wear • The beginnings of patterns and the mass production of clothing in the mid nineteenth century. The volume features numerous illustrations, helpful timelines, resource guides recommending websites, videos, and print publications, and extensive glossaries.
Learn what men, women, and children have worn—and why—in American history, from the deprivations of the Civil War through the prosperous 1890s. In Clothing through American History: The Civil War through the Gilded Age, 1861–1899, authors Anita Stamper and Jill Condra provide information on fabrics, materials, and manufacturing; a discussion of daily life and dress; and the types of clothes worn by men, women, and children of all levels of society. The volume features numerous illustrations, helpful timelines, resource guides recommending Web sites, videos, and print publications, and extensive glossaries. Among the many topics discussed include: • The hours that middle class women of the nineteenth century spent making clothes for themselves and their families • The plain, rough clothes assigned to slaves to ensure that they did not enhance their appearance and their later trouble in buying clothes after emancipation • The Bloomer dress reform movement in the mid to late 19th century, where women who adopted loose, baggy trousers for practicality were called evil and unnatural • The beginnings of clothing and department stores
Almost 13,000 years ago, small groups of Paleoindians endured frigid winters on the edge of a river in what would become Keene, New Hampshire. This begins the remarkable story of Native Americans in the Monadnock region of southwestern New Hampshire, part of the traditional homeland of the Abenaki people. Typically neglected or denied by conventional history, the long presence of Native people in southwestern New Hampshire is revealed by archaeological evidence for their deep, enduring connections to the land and the complex social worlds they inhabited. From the Tenant Swamp Site in Keene, with the remains of the oldest known dwellings in New England, to the 4,000-year-old Swanzey Fish Dam still visible in the Ashuelot River, A Deep Presence tells their story in a narrative fashion, drawing on the author's thirty years of fieldwork and presenting compelling evidence from archaeology, written history, and the living traditions of today's Abenaki people.