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The first truly comprehensive study of animal sculpture throughout Europe in the period between 1900 and 1950 The first half of the twentieth century marked the heyday of animal sculpture throughout Europe. This comprehensive survey showcases the work of forty artists at the forefront of the 'Les Animaliers' movement between 1900 and 1950. Drawing on the rich archive of the Sladmore Gallery, with over 350 colour photographs, individual biographies and two informative essays, this book contains a wealth of information for both established collectors and those new to the subject. It is a companion volume to Jane Horswell's pioneering Bronze Sculpture of Les Animaliers, which covered the nineteenth century and was published over 50 years ago. Rapid modernisation from the beginning of the twentieth century and the opening up of the natural world were both reflected in the art of the time. Today, as appreciation for our disappearing natural world increases, the period of sculpture featured in this publication resonates even more deeply.
The catalogue of the October 1996 exhibition at the Georgia Museum of Art displaying the emergence of a bronze sculpture "school" focused entirely on animal subjects. The essays and representations chronicle the major stylistic and iconographic trends of the movement, including the Romantic expressionism of Barye, the realism of Jules Mene, and the Impressionism displayed by Rembrandt Bugatti, the leader of the younger generation of animaliers. Includes photographs. Lacks an index. Annotation copyrighted by Book News, Inc., Portland, OR
Superbly illustrated, this book not only describes the work of
Themes of the American West have been enduringly popular, and 'The American West in Bronze' features sixty-five iconic bronzes that display a range of subjects, from portrayals of the noble Indian to rough-and-tumble scenes of rowdy cowboys to tributes to the pioneers who settled the lands west of the Mississippi. Fascinating texts offer a fresh look at the roles that artists played in creating interpretations of the "vanishing West"--Whether based on fact, fiction or something in-between. These artists, including Charles M. Russell and Frederic Remington, embody a range of life experiences and artistic approaches."'The American West in Bronze, 1850-1925' is the first full-scale exhibition to explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes, which have been so popular with audiences then and now. Both the exhibition and this accompanying catalogue offer a fresh look at the multifaceted roles played by these sculptors in creating three-dimensional interpretations of western life, whether based on historical fact, mythologized fiction, or most often, something in-between. Examples by such archetypal representatives of the West as Frederic Remington and Charles M. Russell are complemented by the work of sculptors such as James Earle Fraser and Paul Manship, who contributed to the popularity of the American bronze statuette even though their western subjects were less frequent."--Publisher's description.
"The National Gallery's collection of nineteenth-century European sculpture is dominated by 37 works by Auguste Rodin and more than 30 portrait busts by Honore Daumier. Works by Antoine-Louis Barye, Jean Baptiste Carpeaux, Paul Gaugin, Theodore Gericault, and others are examined. All works have been newly photographed, highlighting the masterly execution of the marbles and the rich patinas of bronzes"--Publisher description.
Issues for include Art gallery scene, which is also published separately.