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This final work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American comic books and comic strips. Included in this volume are citations regarding anthologies and reprints; criticism and reviews; exhibitions, festivals, and awards; scholarship and theory; and the business, artistic, cultural, legal, technical, and technological aspects of American comics. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.
In 1999, the first new Star Wars movie in sixteen years came to theater screens worldwide. Leading up to the release of the film, the hype and media coverage reached epic proportions. The Phantom Menace graced every cover from Vanity Fair to Newsweek to Entertainment Weekly. Fans began camping in line for more than a month in Los Angeles just to be first to see the new film. Anticipation tells the real-life story of a movie that faced expectations unlike those of any other film in history, but had the advantage of years of anticipation and excitement from eager fans and the public. The Phantom Menace deserves a place in film history not only as the most anticipated film ever made, but also for its place as the first film presented to the public with digital projection technology, its status as one of the highest grossing films ever made, and the unbelievable devotion of thousands of fans who demonstrated the great meaning movies can have to people of all ages and social backgrounds.
Was there a toy mouse before Walt Disney's "Mickey?" If there was, what happened to it? During the 1920s two men, one from the world of toys and one from the burgeoning world of moving pictures produced very unique toy characters. The history of these two visionaries and how their characters occurred at nearly the same time provides a unique mystery about which speculation lives vibrantly to this day. In tracing the struggle of the toy company's steadfast president, Torrence Dietz, this absorbing book covers the history of the toy company, its wondrous toys, and why people think of Walt Disney when they see the toy company's enigmatic wooden mouse named, "MICKY." Since the question of whether these men crossed paths in the marketplace is a key element to the mystery, the author has tried to objectively address the questions of how, when and why an encounter should have ever happened. The development of Torrence's career and the growth the toy company are reconstructed and intertwined with world events. In the quest to explain the toy company mystery the author has brought together documents and history never before assembled in one place. The in-depth documentation of the wooden toys manufactured by the Performo-Toy Company makes this book a valued reference for collectors and, from a historical sense a valued resource. The book presents numerous toy pictures, toys now considered collectibles, as well as patent and trademarks related to cartoon and toy characters of the late 1920s and early 1930s. The reader interested in the history of Walt Disney and in particular, the formative period of "Mickey Mouse" will find rare background information.
A fascinating insight into some of the most collectible diecast buses. Today, many magazines, clubs and events exist as the hobby thrives.
What makes Polaroid photography stand out? Since its invention by Edwin Land in 1947, how has it crept into our common culture in the ways we witness today? Writing in the context of the two bankruptcies of Polaroid Corporation and the decline and obsolescence of its film, Peter Buse argues that Polaroid photography is distinguished by its process. The fact that, as the "New York Times" put it, the camera does the rest, encouraged distinctive practices by the camera s users, including its most famous use: as a party camera. Polaroid was often dismissed as a toy, but this book takes its status as a toy seriously, considering the way it opened up photographic play while simultaneously lowering its own cultural value. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse paints Polaroid as an intimate form, where the photographer, photograph, and photographed are in close proximity in time and space. This has profound implications for the photographic practices Polaroid cameras permit and encourage, such as the sexual Polaroid, evidence of which the author pulls from literature, film, and pop culture, or Polaroid as a form of play, a fun technology, an ice breaker that can make things happen. Buse also tells the story of Polaroid s response as a company to developments in digital imaging and its ultimately doomed hard-copy wager in the face of them. Pushing further, he explores the continuities and discontinuities between Polaroid and digital snapshot practices, reflecting on what Polaroid can tell us about digital photography today. "
The art of creating a Web site is one that has emerged and been refined since the explosion of the Internet as a communications medium. But unlike authors, filmmakers, musicians, and visual artists, the faces behind even the most popular Web sites remain hidden. This book goes behind the Web curtain to reveal the personalities behind 35 of the most interesting Web sites on the Internet today. Interviews with the creators of sites for everything from wedding resources and action figure collecting to misheard song lyrics and movie reviews reveal the motivations for and experiences in starting and growing Web sites. This book provides insights for people-watchers who are curious about the faces behind the sites and for anyone interested in building an original Web site.