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Fifty-Second Street crackles with electricity as midnight beckons. Limos and cabs drop revelers at jazz hot spots like Birdland and Johnny Ryan's, decked to the nines. Headliners from Sarah Vaughn to the Miles Davis Quintet rewrite the rules of cool nightly in clubs packed to the gills. Downtown bohemians mix easily with African Americans and Latinos, with a smattering of out-of-town business visitors tripping the light fantastic. Midtown Manhattan offers a cultural oasis to the diverse fans of cutting edge jazz. Welcome to an alternate universe mid 20th century where hipster "happy drunks" Susie and Jack find love, trans woman Ramona builds a high-profile career, and even Muggles the drug-dealing pimp can have a heart of gold. This is the jolly conceit of cartoonist Steve Lafler-enjoy it as you lean into that transcendent Coltrane solo over a martini just past midnight in Manhattan, smack in the center of 1956.
Pearl White, William Duncan, William Desmond, Ben Wilson, Walter Miller, Francis Ford, Charles Hutchinson, Jack Dougherty, and Eddie Polo are just a few of the stars to start up a whirlwind of enthusiasm among serial devotees. They offered a thrill-a-minute world of ridiculous plots, weird disguises, hair-raising escapes, hidden treasures, diabolic scientific devices, wild animals, depraved men, runaway trains, and an endless procession of knock-down, drag-out fights. Who could resist? This reference work highlights 446 serial performers who thrilled generations. Each entry includes the performer's birth and death dates, serial credits, major films and details of life before and after the movies.
A "now it can be told" story of secret Operation Mincemeat. This was a carefully prepared ruse involving planted documents on a floating body which successfully misled the German commanders as to the Sicily invasion. Told by the British naval officer who originated the plot.
An oversize volume that tells the history of American movies in text and hundreds of photographs.
During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.
A larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology. Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.
A narrative account of Elizabeth Taylor's career, with particular attention paid to how the consummate movie star influenced and crafted her image over the years.
Allegra, a young actress, and Clementine, a jaded journalist, are conducting a road-trip interview when they are in a car crash. Allegra vanishes into thin air and Clementine becomes a celebrity by proxy.
This is the book that restarted the James Dean cult by celebrating him as the cool, defiant visionary of pop culture who made adolescence seem heroic instead of awkward and who defined the style of rock ’n’ roll’s politics of delinquency. The only book to fully show how deliberately and carefully Dean crafted his own image and performances, and the product of still unequalled research, vivid writing, intimate photographs, and profound meditation, James Dean: The Mutant King has become almost as legendary as its subject.
From Walt Disney's Classic Storybook, this retelling of Goofy, Movie Star features Goofy, an easygoing fellow from Hollywood, who loves watching movies. So when Goofy's hilarious laugh accidentally catches the attention of Mr. Big Shot at a film studio, Goofy quickly becomes a famous movie star! But is life in the fast lane really what Goofy wants?