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In Methodists and the Crucible of Race, 1930-1975, Peter C. Murray contributes to the history of American Christianity and the Civil Rights movement by examining a national institution the Methodist Church (after 1968 the United Methodist Church) and how it dealt with the racial conflict centered in the South. Murray begins his study by tracing American Methodism from its beginnings to the secession of many African Americans from the church and the establishment of separate northern and southern denominations in the nineteenth century. He then details the reconciliation and compromise of many of these segments in 1939 that led to the unification of the church. This compromise created the racially segregated church that Methodists struggled to eliminate over the next thirty years. During the Civil Rights movement, American churches confronted issues of racism that they had previously ignored. No church experienced this confrontation more sharply than the Methodist Church. When Methodists reunited their northern and southern halves in 1939, their new church constitution created a segregated church structure that posed significant issues for Methodists during the Civil Rights movement. Of the six jurisdictional conferences that made up the Methodist Church, only one was not based on a geographic region: the Central Jurisdiction, a separate conference for "all Negro annual conferences." This Jim Crow arrangement humiliated African American Methodists and embarrassed their liberal white allies within the church. The Supreme Court's Brown v. Board of Education decision awakened many white Methodists from their complacent belief that the church could conform to the norms of the South without consequences among its national membership. Murray places the struggle of the Methodist Church within the broader context of the history of race relations in the United States. He shows how the effort to destroy the barriers in the church were mirrored in the work being done by society to end segregation. Immensely readable and free of jargon, Methodists and the Crucible of Race, 1930 1975, will be of interest to a broad audience, including those interested in the Civil Rights movement and American church history.
A collection of five omnibuses that gathers together Agatha Christie's 20 stand-alone novels, presenting them chronologically and providing a fascinating window on a changing world through six decades of investigation.
This 4-volume collection is the first compilation of primary sources to historicize the cultural impact of railways on a global scale from their inception in Great Britain to the Great Depression. Gathered together are over 200 rare out-of-print published and unpublished materials from archival and digital repositories throughout the world. Organized by historical geography, this third volume explores the railways through Eurasia.
Lloyd's Register has published the Rules and Regulations for the Classification of Ships, to which all Lloyd's Register classed ships must conform, since 1834. Between 1834 and 1870 the Rules were bound within the Lloyd's Register of Ships. Since 1870 they have been published separately. Today, the Lloyd's Register Rules and Regulations are still recognised as one of the most comprehensive and respected sets of standards in the maritime industry. They are still regularly updated to reflect the advances in technology and changes in regulatory requirements, and still function as a trusted companion to surveyors, shipowners, shipyards and regulatory bodies around the world.
Through analyzing dress in detective fiction, Fear and Clothing reveals a cultural history of identity affected by the social upheaval caused by war. In-depth analysis of interwar publications by a comprehensive range of writers reveals readers' anxieties and fears about class, gender and race and how these changed over the period. Although read and written by both men and women, detective fiction was deemed at the time to be a masculine and high-status entertainment. However the literature demonstrates an admiration and acceptance of the woman's identity, performed during the Great War and continuing throughout the interwar period, as girl pal and female gentleman. In chapters that explore age, character, class, masculinity, performative womanhood and race, Jane Custance Baker exposes how dress was a status marker to both male and female readers, made anxious by social change brought about by war. Dress in detective fiction reveals a set of signs to be read, digested, and possibly employed to model the individual reader's personal dress choices. Fear and Clothing sheds new light on dress of the period, the social and cultural environment as depicted in the popular fiction genre in the early 20th century, and is of interest to researchers and scholars within dress history, literary and historical studies, as well as anyone who enjoys the history of detective fiction.
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This book addresses a critically neglected genre used by women writers from Gaskell to Woolf to complicate Victorian and modernist notions of gender and social space. Their innovative short stories ask Britons to reconsider where women could live, how they could be identified, and whether they could be contained.