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"What you are doing I cannot do, what I’m doing you cannot do, but together we are doing something beautiful for God, and this is the greatness of God’s love for us.” —Mother Teresa, from Where There Is Love, There Is God In this book, Mother Teresa’s relationship with God and her commitment to those she served—the poorest of the poor—is powerfully explored in her own words. Taken largely from her private lessons to her sisters, published here for the first time, Where There Is Love, There Is God unveils her extraordinary faith in, and surrender to, God’s will. Love is perhaps the word that best summarizes Mother Teresa’s life and message. She sought to be an extension of God’s heart and hands in today’s world. She was called to be a missionary of charity, a carrier of God’s love to each person she met, especially those most in need. Yet she did not think that this was a vocation uniquely hers; she believed each person is in some way called to be a carrier of God’s love. Through the practical and timely advice she offers, Mother Teresa sets us on the path to closer union with God and greater love for our brothers and sisters.
This volume provides an important resource for those wishing to gain an overview of significant issues in contemporary missiology whilst understanding how they are applied in particular contexts. Contributors from across the globe and from different Christian traditions explore foundations for mission. The chapters examine in what ways experience, the Bible, and theology are foundational for mission and how they together inform the missional thought of different traditions. The book also raises questions about the continued use of foundations as a helpful metaphor mission reflection and impetus. Graduate students and scholars surveying the field will find this a useful and accessible way to understand changing trends within mission studies.
God has an epic plan for the flourishing of all people and places. Want to join in? Partnering with God will help you find your place in that quest as we join in building God's kingdom on earth as it is in heaven. Mission is no spectator sport, and God invites our participation in the millennia old story of the missio Dei. Lynette Edge and Gregory Morgan have lived and taught mission within The Salvation Army for many years. In these pages, they offer a missiological framework and practice in the West today from a Salvation Army perspective. You will be challenged in these pages to think and live missionally. We are called to join a profound partnership with God to bring about the world as it was intended to be. Are you in?
River of God is an introduction to world missions aimed at undergraduate students. However, the readers will soon discover that the book is rich in its content far beyond the editors' original plan. It serves as a reader for people with various levels of missiological interest and competence and deals with cutting-edge issues in missions. This book introduces a new paradigm, Kingdom Missiology, which builds on shalom in the Old Testament and as Jesus applied to the Kingdom of God in the New Testament. The first half of the book looks at Kingdom Missiology from the biblical, historical, and cultural dimensions. The second half of the book describes helpful strategies in the implementation of this paradigm. The importance of urban ministry is woven throughout the book.
How does the church’s calling to take the whole gospel to the whole world manifest in contexts of poverty, injustice, and conflict? In this collection of essays, drawn from the 7th Micah Global Triennial Consultation in the Philippines, Christians from across the globe reflect on the church’s role in alleviating suffering and developing transformed communities. At the heart of these reflections is the topic of resilience and its role in Christian community, integral mission, and faith-based development work. Offering both theological frameworks and practical tools for the development of resilient communities, this book ignites a biblical passion for integrating justice and proclamation, witness and social concern, evangelism and community transformation. Relentless Love is a powerful reminder of Christ’s calling to join him in his work to bring wholeness, reconciliation, and redemption to the earth.
Note: this is an abridged version of the book with references removed. The complete edition is also available. In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
"This scientific-historical biography explores the influences that shaped the spirituality of Amy Carmichael of Dohnavur. J. (Hans) Kommers investigates the historical background of Amy's childhood in Millisle and Belfast and provides new and more scholarly information than existing biographies. He researched a variety of Keswick-related literature in order to provide a fuller picture of Amy's connection with the Keswick Convention and their teaching. The descriptions of the life of the millworkers in Belfast, the happenings on the worldwide stage and Victorian missionary work and methods round out the picture to give the reader a greater understanding of Amy Carmichael. These new facts are most enlightening." --Dr Jackuelin Woolcock MB BChir MRCP (Lond), Director Dohnavur Fellowship Corporation, Shoreham by Sea, UK, and Doctor in Dohnavur India 1969-1987 "Triumphant Love: The Contextual, Creative and Strategic Missionary Work of Amy Beatrice Carmichael in South India provides the msot extensive biography thus far of Amy Carmichael (1867-1951), a major figure on the missionary landscape of the late 19th and the first half of the 20th century. She is seen by some as the Protestant mother Teresa (both women worked in India and devoted all of their time and energy to the poor). The book is very well researched. The author states that the purpose of the extensive research he undertook 'was to get a closer and clearer picture of Amy Carmichael as the founder off the Dohnavur Fellowship.' Also, he wanted 'to give a balanced account of her dealings with people and especially her life with God.' He does this. It provides the most comprehensive picture of this remarkable woman. It is the definitive source of reference. J. (Hans) Kommers's view of the life of Amy Carmichael is that of a fellow evangelical. He explains that not only Amy, but many missionaries of her time were inspired by the ideal that all people should have the opportunity to hear of Christ's salvation. According to him, her inspirational work is still relevant today." --Prof. Dr Gijsbert van den Brink, URC Professor for Theology and Science, Faculty of Theology, Free University Amsterdam, the Netherlands