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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Delivers the inside story on 6,000 years of personal and public space. John Pile acknowledges that interior design is a field with unclear boundaries, in which construction, architecture, the arts and crafts, technology and product design all overlap.
The second adventure in the Bartimaeus trilogy finds our young apprentice magician Nathaniel working his way up the ranks of the government, when crisis hits. A seemingly invulnerable clay golem is making random attacks on London. Nathaniel and the all-powerful, totally irreverent djinni, Bartimaeus, must travel to Prague to discover the source of the golem's power. In the ensuing chaos, readers will chase a dancing skeleton across London's skyline, encounter the horror of the dreaded Night Police, witness a daring kidnapping, and enter the Machiavellian world of the magician's government. Eventually, Nathaniel and Bartimaeus have to go head to head with the fearsome golem before the surprise identity of his master is finally revealed.
First published in 2009. This work by S. Wells Williams is a complete look at the Chinese Empire during the mid-nineteenth century. Subjects include the divisions of the Empire, geographical descriptions, religion and art, literature, the second war between Great Britain and China and social life among the Chinese. This is Volume one of two.