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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A classic Civil War memoir, Co. Aytch is the work of a natural storyteller who balances the horror of war with an irrepressible sense of humor and a sharp eye for the lighter side of battle. It is a testament to one man’s enduring humanity, courage, and wisdom in the midst of death and destruction. Early in May 1861, twenty-one-year-old Sam R. Watkins of Columbia, Tennessee, joined the First Tennessee Regiment, Company H, to fight for the Confederacy. Of the 120 original recruits in his company, Watkins was one of only seven to survive every one of its battles, from Shiloh to Nashville. Twenty years later, with a “house full of young ‘rebels’ clustering around my knees and bumping about my elbows,” he wrote this remarkable account—a memoir of a humble soldier fighting in the American Civil War, replete with tales of the common foot soldiers, commanders, Yankee enemies, victories, defeats, and the South’s ultimate surrender on April 26, 1865.
The classic Co. Aytch has reigned as one of the most memorable and honest depictions of the American Civil War since its original publication in 1882. Sam R. Watkins¿s first-hand account of life as a Confederate soldier eloquently captured the realities of war, the humor and pathos of soldiering, and the tragic, historic events in which he participated. Although there have been dozens of versions of Co. Aytch published, this is the first with new material and revisions by Sam Watkins himself. Intending to republish after his first edition sold out, Watkins edited and revised Co. Aytch, adding a new perspective that only came with time. He died before accomplishing his goal. Now more than one hundred years later, Watkins¿s great granddaughter, Ruth Hill Fulton McAllister is fulfilling Watkins¿s dream. Using his yellowed, aged, and pencil-marked copy handed down through different family members, McAllister has crafted a masterpiece that combines the ageless text with Sam Watkins¿s intended revisions. This new edition incorporates actual images of Watkins¿s handwritten additions, all his desired editorial changes, and more than forty images. Desiring to be true to both her ancestor¿s wishes and the sanctity of his classic memoir, McAllister skillfully included Watkins¿s additions and artfully indicated what he would have omitted, leaving the original text intact. The result is a rich, expanded "director¿s cut" version of Co. Aytch, sure to fascinate historians, Civil War enthusiasts, and new readers alike.