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Extraordinarily wealthy and influential, Stephen Duncan (1787–1867) was a landowner, slaveholder, and financier with a remarkable array of social, economic, and political contacts in pre-Civil War America. In this, the first biography of Duncan, Martha Jane Brazy offers a compelling new portrait of antebellum life through exploration of Duncan's multifaceted personal networks in both the South and the North. Duncan grew up in an elite Pennsylvania family with strong business ties in Philadelphia. There was little indication, though, that he would become a cosmopolitan entrepreneur who would own over fifteen plantations in Mississippi and Louisiana, collectively owning more than two thousand slaves. With style and substance, Martha Jane Brazy describes both the development of Duncan's businesses and the lives of the slaves on whose labor his empire was constructed. According to Brazy, Duncan was a hybrid, not fully a southerner or a northerner. He was also, Brazy shows, a paradox. Although he put down deep roots in Natchez, his sphere of influence was national in scope. Although his wealth was greatly dependent on the slaves he owned, he predicted a clash over the issue of slave ownership nearly three decades before the onset of the Civil War. Perhaps more than any other planter studied, Duncan contradicts historians' definition of the southern slaveholding aristocracy. By connecting and contrasting the networks of this elite planter and those he enslaved, Brazy provides new insights into the slaveocracy of antebellum America.
"Cotton obsessed, Negro obsessed," Rupert Vance called it in 1935. "Nowhere but in the Mississippi Delta," he said, "are antebellum conditions so nearly preserved." This crescent of bottomlands between Memphis and Vicksburg, lined by the Yazoo and Mississippi rivers, remains in some ways what it was in 1860: a land of rich soil, wealthy planters, and desperate poverty--the blackest and poorest counties in all the South. And yet it is a cultural treasure house as well--the home of Muddy Waters, B.B. King, Charley Pride, Walker Percy, Elizabeth Spencer, and Shelby Foote. Painting a fascinating portrait of the development and survival of the Mississippi Delta, a society and economy that is often seen as the most extreme in all the South, James C. Cobb offers a comprehensive history of the Delta, from its first white settlement in the 1820s to the present. Exploring the rich black culture of the Delta, Cobb explains how it survived and evolved in the midst of poverty and oppression, beginning with the first settlers in the overgrown, disease-ridden Delta before the Civil War to the bitter battles and incomplete triumphs of the civil rights era. In this comprehensive account, Cobb offers new insight into "the most southern place on earth," untangling the enigma of grindingly poor but prolifically creative Mississippi Delta.
The only comprehensive study of Irish immigrants in the nineteenth-century South, this book makes a valuable contribution to the story of the Irish in America and to our understanding of southern culture. The Irish who migrated to the Old South struggled to make a new home in a land where they were viewed as foreigners and were set apart by language, high rates of illiteracy, and their own self-identification as temporary exiles from famine and British misrule. They countered this isolation by creating vibrant, tightly knit ethnic communities in the cities and towns across the South where they found work, usually menial jobs. Finding strength in their communities, Irish immigrants developed the confidence to raise their voices in the public arena, forcing native southerners to recognize and accept them--first politically, then socially. The Irish integrated into southern society without abandoning their ethnic identity. They displayed their loyalty by fighting for the Confederacy during the Civil War and in particular by opposing the Radical Reconstruction that followed. By 1877, they were a unique part of the "Solid South." Unlike the Irish in other parts of the United States, the Irish in the South had to fit into a regional culture as well as American culture in general. By following their attempts to become southerners, we learn much about the unique experience of ethnicity in the American South.
A fresh perspective of the iconic Southern planter turned soldier turned statesman Providing the most balanced and comprehensive portrayal of Wade Hampton III to date, Robert K. Ackerman's biography explores the remarkable abilities and tragic failings of the planter-statesman who would come to personify the Civil War and Reconstruction in South Carolina. Ackerman traces Hampton's esteemed lineage and his preparation for life as a Southern aristocrat. Though Hampton benefited from third-generation wealth, a classical education, and an inherent sense of noblesse oblige, as Ackerman notes, prior to the war Hampton served almost without distinction in the South Carolina General Assembly—with the exception of his opposition to reopening the slave trade. Hampton did not favor secession, but once South Carolina left the Union, he committed himself fully to the Confederate effort and thus began his path to legend. Ackerman follows Hampton from amateur soldier to decorated cavalry leader, from multiple wounds at Gettysburg to the defense of the Confederate flank at Petersburg. Hampton eventually succeeded J. E. B. Stuart as commander of Lee's cavalry in the Army of Northern Virginia and distinguished himself as one of three non-West Point graduates to attain the rank of lieutenant general in the Confederate army. Emotionally and financially devastated by the Confederacy's defeat, Hampton briefly pondered continuing the conflict as a guerrilla war before emerging as a leading advocate for policies of moderation. His election to the governorship in 1876 brought an end to Federal Reconstruction in South Carolina. Ackerman elaborates on Hampton's limited success in enacting policies of moderation and his eventual defeat at the hands of virulent racists and anti-autocratic populists. Ackerman suggests that, despite some success as governor and later as a U.S. senator, Hampton was ultimately overwhelmed by forces of racism, with tragic consequences for his state, yet he remains for many a revered icon of the Old South.
William Kauffman Scarborough has produced a work of incomparable scope and depth, offering the challenge to see afresh one of the most powerful groups in American history—the wealthiest southern planters who owned 250 or more slaves in the census years of 1850 and 1860. The identification and tabulation in every slaveholding state of these lords of economic, social, and political influence reveals a highly learned class of men who set the tone for southern society while also involving themselves in the wider world of capitalism. Scarborough examines the demographics of elite families, the educational philosophy and religiosity of the nabobs, gender relations in the Big House, slave management methods, responses to secession, and adjustment to the travails of Reconstruction and an alien postwar world.
William Alexander Percy
The widely acclaimed inquiry into the story that inspired Toni Morrison's "Beloved"--a nuanced portrait of the not-so-genteel Southern culture that perpetuated slavery and had such destructive effects on all who lived with it and in it. 25 illustrations.
In Dispatches from Pluto, adventure writer Richard Grant takes on “the most American place on Earth”—the enigmatic, beautiful, often derided Mississippi Delta. Richard Grant and his girlfriend were living in a shoebox apartment in New York City when they decided on a whim to buy an old plantation house in the Mississippi Delta. Dispatches from Pluto—winner of the Pat Conroy Southern Book Prize—is their journey of discovery into this strange and wonderful American place. Imagine A Year In Provence with alligators and assassins, or Midnight in the Garden of Good and Evil with hunting scenes and swamp-to-table dining. On a remote, isolated strip of land, three miles beyond the tiny community of Pluto, Richard and his girlfriend, Mariah, embark on a new life. They learn to hunt, grow their own food, and fend off alligators, snakes, and varmints galore. They befriend an array of unforgettable local characters—blues legend T-Model Ford, cookbook maven Martha Foose, catfish farmers, eccentric millionaires, and the actor Morgan Freeman. Grant brings an adept, empathetic eye to the fascinating people he meets, capturing the rich, extraordinary culture of the Delta, while tracking its utterly bizarre and criminal extremes. Reporting from all angles as only an outsider can, Grant also delves deeply into the Delta’s lingering racial tensions. He finds that de facto segregation continues. Yet even as he observes major structural problems, he encounters many close, loving, and interdependent relationships between black and white families—and good reasons for hope. Dispatches from Pluto is a book as unique as the Delta itself. It’s lively, entertaining, and funny, containing a travel writer’s flair for in-depth reporting alongside insightful reflections on poverty, community, and race. It’s also a love story, as the nomadic Grant learns to settle down. He falls not just for his girlfriend but for the beguiling place they now call home. Mississippi, Grant concludes, is the best-kept secret in America.